Concertgoers eager to choose their favorite seats sometimes show up at Chautauqua’s venerable Amphitheater an hour or two before the music begins. These women fill the time by tapping on their electronic devices. I tell the story here by placing the subjects in the upper right hand corner of the fame, and echoing their presence with the diagonal wall moving into the frame from the left. I anchor the image with a softly focused floral display, which sits upon the concert stage itself. The entire image is tied together by the rhythmic flow of empty wooden benches. They will soon be filled to capacity.