Three people, framed not only in my camera, are also defined within a confining series of rectangles formed by the windows of a passing bus. The windows of the bus are streaked with grime, two of three passengers are abstracted through backlighting, and the image itself becomes more abstract because of my decision to convert it to black and white. Our focal point is the woman, who studies us with indifference. She finds my camera utterly irrelevant. The confining rectangles, the dirty bus window, and the abstractions within combine to bring a stark, gritty, yet memorable interpretation to what otherwise would just be a picture of some commuters on their way home.