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Phil Douglis | all galleries >> Galleries >> Gallery Thirty Four: Photographing the tourist in all of us > Getting the shot, Hagia Sofia, Istanbul, Turkey, 2009
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Getting the shot, Hagia Sofia, Istanbul, Turkey, 2009

I had just finished making a photograph out of one of Hagia Sofia’s thousand year-old windows. A young tourist had been watching me and immediately tried her own hand it with a point and shoot camera. The window was high and she was short, yet she managed to reach the sill. I made this image of her straining to frame her subject, probably one of Hagia Sofia’s minarets. The passion she brings to her photography is palpable. She really cares about making this picture and it shows. For her sake, I hope she got it. Photography has always been interwoven into the fabric of tourism. Some shoot to record what they see, while others shoot to reflect their feelings about what they are seeing. I am guessing she falls in the later category.


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Phil Douglis21-Nov-2009 00:51
She not only extends her ability to see with her camera, but she brings home memories she will never forget as well. You are right -- fanatical photographers are often seen as "fiddlers" -- people who don't really see anything of a place except what they may be photographing. Yet we do far more than fuss with our cameras and lenses when we travel -- we examine what we see in much greater detail, and extract from it the stuff that dreams are made of. We often come to know our subject in terms of its meaning, not just its appearance.
Tim May20-Nov-2009 22:58
People often criticize photo fanatics like us for not seeming to be able to see without a camera - here though the camera extends her vision - see can see the lcd and thus go where her size limitations won't allow her to.
Phil Douglis04-Nov-2009 22:47
Yes, Iris. I know the look well. I stand guilty of the same expression. I have never learned to close my mouth while seizing a photograph out of light, time, and space.
Iris Maybloom (irislm)04-Nov-2009 22:08
I know that look. The concentration, the intensity in her face, the blocking out of everyone and everything around you just to get "the shot". What she's seeing is secondary to what we see as we observe her.
Phil Douglis04-Nov-2009 17:51
You are right -- we wonder what she sees that is making her seem so passionate. Yet it is not yet fully in her sights, either. She did take the picture, look at it, and walk away with a smile on her face, so I guess she saw enough from that angle to make it worthwhile.
Carol E Sandgren04-Nov-2009 04:34
We've all done it.... shoot blindly where we cannot reach or see, hoping for the best to appear on that LCD screen! I like her expression of real concentration here. I also kind of like that we cannot see WHAT she is actually photographing, since she can't either!
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