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Phil Douglis | all galleries >> Galleries >> Gallery One: Travel Abstractions -- Unlimited Thought > Agave, Scottsdale, Arizona, 2008
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22-OCT-2008

Agave, Scottsdale, Arizona, 2008

This abstract interpretation of an Agave plant features its sun-struck distinctive yellow edges, lined with razor sharp teeth. By showing less of the plant itself, I am able to stress the teeth, which nature has provided as a survival mechanism. If we look at the teeth as teeth, the plant appears dangerous to the touch, as intended. However if we alter our perception to concentrate instead on the opposing dark spaces between the teeth, we see a dark green plant with rounded ridges against a bright yellow background. The beauty of abstract imaging is that we can prod the imaginations of our viewers into seeing our images however they may wish to see and understand them.

Leica V-Lux 1
1/200s f/5.6 at 84.6mm iso100 full exif

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Phil Douglis08-Feb-2009 04:21
You see my image well, Kathy -- the element you mention tell the story here. Thanks.
Kathy Khuner08-Feb-2009 03:41
What grabs me is the brilliant yellow with the white luminescence edging the scallops and the two extensions next to it with that fragile green.
Phil Douglis28-Jan-2009 20:16
Thanks so much for your interpretation of this image, Shawn. No two people will look at an image in exactly the same way. We see what we want and read into it what we wish. I made his image to tease both the eye and mind. When an image is effectively abstracted, in this case by shadows, a close vantage point, and a tight frame, it allows room for the imagination of the viewer to work and wonder. And that is exactly what yours seems to be doing here. You want to see more, but you can't, so your mind must imagine it for you. And what the mind sees is up to you, not me.
Guest 28-Jan-2009 18:02
I like how the darkness contrasts the yellow of the plant like stripes of an animal. I also like the faint details in the darks. I often ask myself how much light is too much and or how much light is not enough to capture the viewers attention and hold it. It seems this image holds my attention and makes me want more and maybe it is the "want" that keeps me searching this image with my eyes. The funny thing is I don't know what it is I am suppose to be searching for but that doesn't seem to matter.
Phil Douglis03-Jan-2009 17:23
Thanks, Nancy, for noting the perceptual trick here -- the foreground can easily become the background if we look at the form-field relationships in a different way. And yes, I intended the image to draw the eye inwards -- glad you made the journey.
Nancy Good02-Jan-2009 21:43
The position of light also allows the foreground of yellow to become "refocused" as softly-lit background hinting at even further depth. Really like this, Phil. And, yup, diving right in. :-)
Phil Douglis27-Oct-2008 02:06
Thanks, Cyndy, Kal, and Alina, for commenting on this image. The interactive dialogue Cyndy mentions is the whole point of expressive photography, and indeed, art itself. If there is no interaction, the image or work of art does not function. And yes, Kal -- there is a third dimension implied here -- aided and abetted by those curves. And thanks, Alina, for noting the quality of light, which makes the image work. If not for the light brushing the edges of this plant, there would be no chance to make an image such as this. I look for the light as much as I look for the subject.
Alina27-Oct-2008 01:07
Beautiful light and composition.
Guest 26-Oct-2008 21:23
You put it well, Phil. Abstract art allows the viewer to make his own interpretation, thus creating a kind of interactive dialogue between the artist and his audience.
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