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Pentti Kyyronen | profile | all galleries >> Galleries >> Paintings of Claude-Joseph Vernet (1714 –1789) tree view | thumbnails | slideshow

Paintings of Claude-Joseph Vernet (1714 –1789)

Vernet was a French painter.
There are three important dates in the life of Vernet: 1734 arrival in Rome, 1753 his definite return to France and 1762 when he installed himself in Paris.
Slowly Vernet attracted notice in the artistic milieu of Rome. With a certain conventionality in design, proper to his day, he allied the results of constant and honest observation of natural effects of atmosphere, which he rendered with unusual pictorial art.
The overall effect of his style is wholly decorative. His style remained relatively static throughout his life. His works' attentiveness to atmospheric effects is combined with a sense of harmony that is reminiscent of Claude Lorrain.
For twenty years Vernet lived in Rome, producing views of seaports, storms, calms, moonlights, and large whales, becoming especially popular with English aristocrats, many of whom were on the Grand Tour. In 1745 he married an Englishwoman whom he met in the city. In 1753 he was recalled to Paris: there, by royal command, he executed the series of the seaports of France (now in the Louvre and the Musée national de la Marine) by which he is best known. His The Port of Rochefort (1763) is particularly notable; in the piece Vernet is able to achieve, according to art historian Michael Levey, one of his most 'crystalline and atmospherically sensitive skies'. Vernet has attempted to bring the foreground of his work to life through painting a wide array of figures engaging in a variety of activities, endeavouring to convey a sense of the commotion and drama of France's seaports.
In 1757, he painted a series of four paintings titled Four Times of the Day depicting, surprisingly, four times of the day. Throughout his life Vernet returned to Italian themes, as shown through one of his later works . On his return from Rome he became a member of the academy, but he had previously contributed to the exhibitions of 1746 and following years, and he continued to exhibit, with rare exceptions, down to the date of his death, which took place in his lodgings in the Louvre on the 3rd of December 1789.
Amongst the very numerous engravers of his works may be specially cited Le Bas, Cochin, Basan, Duret, Flipart and Le Veau in France, and in England Vivares.
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