A musketeer was an early modern type of infantry soldier equipped with a musket. Musketeers were an important part of early modern armies, particularly in Europe.

Sarmatian Long Night in Museum of Southern Podlasie

"Sarmatism" (also, "Sarmatianism") is a term that designates the dominant lifestyle, culture and ideology of the szlachta (nobility) of the Polish-Lithuanian Commonwealth from the 16th to the 19th centuries. Together with "Golden Liberty," it formed a central aspect of the Commonwealth's culture. At its core was a belief that Polish nobles were descended from the ancient Sarmatians.

The term and the culture were reflected primarily in 17th-century Polish literature, as in Jan Chryzostom Pasek's memoirs and the poems of Wacław Potocki. The Polish gentry (szlachta) wore a long coat, trimmed with fur, called a żupan, and thigh-high boots, and carried a saber (szabla). Mustaches were also popular, as well as varieties of plumage in the menfolk's headgear. Poland's "Sarmatians" strove for the status of a nobility on horseback, for equality among themselves ("Golden Freedom"), and for invincibility in the face of other peoples.[1] Sarmatism lauded the past victories of the Polish Army, and required Polish noblemen to cultivate the tradition. An inseparable element of their festive costume was a saber called the karabela.

Sarmatia (in Polish, Sarmacja) was a semi-legendary, poetic name for Poland that was fashionable into the 18th century, and which designated qualities associated with the literate citizenry of the vast Polish-Lithuanian Commonwealth. Sarmatism greatly affected the culture, lifestyle and ideology of the Polish nobility. It was unique for its cultural mix of eastern, western and native traditions. Sarmatism considerably influenced the noble cultures of other contemporary states — Moldavia, Transylvania, Habsburg Hungary and Croatia, Wallachia and Muscovy. Criticized during the Polish Enlightenment, Sarmatism was rehabilitated by the generations that embraced Polish Romanticism. Having survived the literary realism of Poland's "Positivist" period, Sarmatism enjoyed a triumphant comeback with The Trilogy of Henryk Sienkiewicz, Poland's first Nobel laureate in literature (1905).