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Patricia Lay-Dorsey | all galleries >> my photo-a-day archives >> 2007 photo-a-day galleries >> photo-a-day October 2007 > more light & shadow
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02-OCT-2007

more light & shadow

Will I ever tire of light & shadow? I suspect not. At least not as long as photography is my artistic medium of choice. I recall the years I worked as a painter. Then everything was color. I couldn't have cared less about value--what visual artists call light & shadow--and that proved to be a weakness in my work. It wasn't until I went back to school in my mid-30s, this time in fine arts instead of social work, that I began to see the importance of lights and darks even when working in color. Later I focused on pen and ink drawings and value became my best frend.

So now I've traveled much the same road with photography. Color was everything to me when I started out. I remember the very first photos I took with my brand new Canon Rebel XT were of flowers, brilliantly-hued flowers. It took me over fourteen months to develop my eye so I could see light as the single most important element in any photo. And now that's almost all I see. So when I was scooting down the street last week and passed this woman sitting at a table outside the gelato store, it was the pattern of light and shadow on her crossed leg that caught my eye. When I asked if I could take her photograph, she kindly agreed.

And now I'm going through my galleries trying to find what I consider the best photos to submit to the prestigious Black and White Spider Awards competition. It is SO hard to see your own work with an objective eye, especially since each image carries memories that others wouldn't know anything about. I'm afraid my attachment to certain images might have more to do with the stories they remind me of than their intrinsic value as examples of good black & white photos. So I'm going to put up a gallery with my possible choices. As soon as I do so, I'll post the link here. I sure could use some feedback from my PBase friends!

Canon EOS 350D
1/250s f/10.0 at 38.0mm iso400 full exif

other sizes: small medium large original auto
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Ann...06-Oct-2007 10:54
What bag of chips? What foot? I don't say this to be facetious just to emphasise that we all look at an image in a different way, as has been said before. I see the hands and then the face, the relaxed body language and then the legs with the criss cross shadows. These are the important elements to me, the rest I can look at or ignore at will.
Patricia Lay-Dorsey03-Oct-2007 15:03
I want to thank everyone for sharing their views, both publicly and privately, on the subject that Phil introduced. It helps me recognize--if I didn't know it already--that there are many different ways to look at things! As photographic artists, each of us has to develop her or his own unique eye. But, as a relative beginner, I very much appreciate hearing lots of different viewpoints. It helps me refine my own.
Neal Nye03-Oct-2007 12:40
Beautiful tones and contrasts in this one. The grill pattern on her legs is fascinating but I think it's really a photo of a bright, white cup and two hands. All the chaotic detail in the background serve to support and strengthen that one simple concept. I'm sure you didn't want to emphasize her foot or the bag of chips. Doing just what you did, consciously or not, was just the right thing. Phil would have shot this differently, as would have any of us. But this is your picture and it effectively communicates what you saw and felt. I think you did a great job.
Guest 03-Oct-2007 05:06
It definitely takes different skills for B&W, and of course a conversion is only successful if you had that in mind at the time of shooting. Here, no doubt, the subject works well. And I like your tight composition.
Greg Harp03-Oct-2007 03:54
Terrific B&W, wonderful candid.
Patricia Lay-Dorsey03-Oct-2007 02:21
Phil's comment is most instructive. The points he makes were evidence of my unintentional lapses in awareness. But his bringing them to my attention will help me avoid them in the future. Gracias!
Phil Douglis03-Oct-2007 01:51
"blenda" should be blend. Sorry.
Phil Douglis03-Oct-2007 01:51
The patterns of light on the woman are wonderful, as is her relaxed body language. However, the bag of chips blenda into the chair which then merges into the car at upper left, and her foot is severed at bottom of the image. Are these intentional acts to suggest chaos around her? Or are they accidents, usually caused by fixing our vision on the subject and forgetting to study the rest of the image before we release the shutter? Mergers and accidental edge amputations can be solved by simply moving your vantage point and adjusting your frame. The key, however is awareness, which comes with practice and time.

Guest 03-Oct-2007 01:04
This would be a great choice! V
an nguyen02-Oct-2007 19:28
Well done. This is my type of photography, full of joy and life. V.
Paco López02-Oct-2007 18:46
Excellent B&W!!!! I love it!! Big vote!!
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