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Patricia Lay-Dorsey | all galleries >> my photo-a-day archives >> 2007 photo-a-day galleries >> Photo-a-day September 2007 > an Iraq war vet's anger turns to grief
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24-SEP-2007

an Iraq war vet's anger turns to grief

Arlington Midwest was more than a symbolic reminder of the human cost of war: it was a place where that cost could be openly expressed. Ray was an example. Grand Circus Park in downtown Detroit is home to many of our city's homeless. And all too many of these folks are veterans of America's many wars, especially Vietnam and, most recently, Iraq. So when this travelling installation of over 4200 mock wooden tombstones and poles with the names of both U.S. troops and civilians killed in Iraq came to their park, there were strong reactions. Dan Lombardo, Detroit's organizer for this event, and the volunteers he had enlisted to stay with the installation 24 hours a day from Thursday through Tuesday morning, were often in the line of fire. When I got there on Saturday afternoon, they'd already had to call the police once because of Ray's rage and threats. But the police had never shown up. So when Ray, an Iraq war veteran, again got in Dan's and then in Cindy's faces with his yelled objections to the Arabic music that was part of the CD that accompanied the exhibit, we all understood but were uneasy about where this might go. After Ray had ranted for a long ten minutes, I found myself scooting up and taking his hand. He stopped yelling for a moment and looked down at me. I said, "My name's Patricia. Can you tell me your name?" I can hardly describe what happened next. Within a minute or two I'd opened my arms, and Ray had put his head on my shoulder and started to weep. It was then that we saw the wrenching grief and remorse that his anger was trying to hide, especially from himself. "I trained these boys. I should have protected them!" He then told us of a 19 year-old man in his unit who had died in his arms after his legs had been blown off by a roadside bomb. We never know, do we?

I've put up a gallery of my photos from Arlington Midwest. CLICK HERE to see it.

Canon EOS 350D
1/250s f/11.0 at 31.0mm iso400 full exif

other sizes: small medium large original auto
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Guest 01-Oct-2007 04:39
This photo and story reminds me of something I'd read about Christ in a similar situation: when Jesus learned of a man who was chained on the outskirts of a city, guarding a herd of pigs, put there because he was so out of control crazy, he went to this man who was frothing at the mouth, shrieking, filthy, tattered, and simply asked him, "What is your name?" And the man, calming down for an instant, replied, "My name is Legion, for we are many" meaning that he was possessed by many demons, and out of his mind. And Jesus cast out his demons, and set this man free from his terrible torment, wherepon the destructive energy he had carried was swept into the pig herd. The animals, now also possessed, promptly ran off a cliff and and were killed. Kinda hard on the pigs, but the man was released from his dementia by Christ's compassion. Just like Ray was released from his torment by yours. Thank you for having done this beautiful thing, and giving this man a chance to express his rage, and helping him to see why he felt the way he did...
Greg Harp27-Sep-2007 06:36
Fabulous work Patricia. v
gary becker25-Sep-2007 12:59
Detroit Opera indeed.

Awesome capture & narrative.
Guest 25-Sep-2007 00:47
Wow. What a shot and description. Keep them coming. V
giselle borgwardt24-Sep-2007 12:20
Patricia, thanks for that loving gesture and for sharing it with us.
Wish we all were aware like you!
Neal Nye24-Sep-2007 12:13
It's a fantastically powerful and effective gallery you created. It should be required viewing for everyone!
Enrico Martinuzzi24-Sep-2007 11:54
touching story Patricia... Thanks for sharing with us.
Great capture too.
Bonnie Underwood24-Sep-2007 11:11
Anger is often a mask we wear
to hide our real fear and hurt.
Your light and dark shadow play at
work creating a striking composition.
Ann...24-Sep-2007 07:20
What contrasts in this image not only in body language, which in itself would be enough, but in the light and shadow which perfectly "compliments" the people and their respective positions in this obviously very emotionally charged moment. V.
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