One of the most striking sculptures in the new wing of the Denver Art Museum is Antony Gormely’s anonymous figure made of stainless steel rods. I found a vantage point that allowed me to relate the posture of the figure to the design of the alcove in which it stands. The rods create a fragmented texture, some of them picking up light that intensifies the sculpture’s sense of explosive fragmentation. The art seems right at home in its abstracted surroundings, and this image defines that relationship.