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Phil Douglis | all galleries >> Galleries >> Gallery One: Travel Abstractions -- Unlimited Thought > In the ruins of Alcatraz, San Francisco Bay, California, 2007
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12-JUN-2007

In the ruins of Alcatraz, San Francisco Bay, California, 2007

Alcatraz, also known as “The Rock,” was a maximum-security federal prison from 1934 to 1963. Today it is part of the Golden Gate Park system, and draws thousands of visitors each day. The purpose of this photograph is to express the mood and meaning of Alcatraz – its sense of isolation, despair, and confinement. I found a brick wall that was laden with the shadows of steel bars, and waited as visitors walked before it. Exposing for the sun lighted bricks, I turned the visitors into abstracted silhouettes. I photographed this particular man just as he enters the frame. His placement on the edge of the image makes him face an even longer row of bars. He becomes an abstract symbol for the thousands of inmates who once passed before this very wall.

Leica V-Lux 1
1/400s f/5.6 at 7.4mm iso100 full exif

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Phil Douglis04-Feb-2009 21:47
Thanks, Shawn, for your comment. The figure at right is a silhouette, rather than a shadow, but offers the same abstract symbolization quality. I'm delighted that you see that patterned illuminated wall as expressing a glimmer of hope within a place built for restriction and punishment.
Guest 04-Feb-2009 20:18
Perhaps the light is a glimmer of hope to those that once took up residence in this place. I like the repetition of pattern and the ghost-like shaddow of the person projected on the wall as if a reminder of the past. Once buzzing with activity now devoid of sound except for the daytime visitors.
Phil Douglis13-Feb-2008 18:45
You raise an interesting point here. As tourists, are we being disrespectful in photographing such sights as the killing fields or the Khmer Rouge prison in Phnom Penh? Or are we making images that if published would bring these atrocities to the attention of those who otherwise might never had heard of them, and in doing so, perhaps help create a world where such things would never be allowed to happen again? In my, it is always the latter. And yes, I did photograph the skull pagoda on the killing fields -- a huge building holding floor after floor of human skulls. They tell a visual story based on the sheer volume of the killings. I did not use any of them as teaching examples since they were essentially documentary images. They were graphic and horrific, but function more as evidence than as symbolic interpretation.
Suzy Walker-Toye13-Feb-2008 11:52
I think you must have much greater confidence and motivation than I. I find that I cannot take photos when deeply moved. I found the Cambodian prison and killing fields very moving, and as a result did not take any photos. Also, I was with two friends (who do not take photos anyway) and I know for a fact they would have seen it as very disrespectful of me had I been snapping away behind them. In fact I don’t actually remember hearing or seeing anyone taking photos. Looking back, I think actually it would have been more respectful to do so because then we (as photographers) could use our images to spread the word of these atrocities to the world. Did you get a photo of the big skull pagoda at the killing fields? Our guide was local (he was a child when it happened but his sister was still missing) and he told us the pagoda was a monument of the dead so that Cambodia would never forget and never allow it to happen again.
Phil Douglis12-Feb-2008 19:12
Thanks for this comment, Suzy. Once inside Alcatraz, there is nothing to laugh at. It is was intended to dehumanize its occupants and that is what this image is all about. Coincidentally, I just visited that school that was turned into a prison in Cambodia. You can see an image I made there at http://www.pbase.com/image/91825288 . I also visited the Killing Fields, where I made this image:http://www.pbase.com/image/91825289
Suzy Walker-Toye12-Feb-2008 10:19
I think you’ve captured the mood perfectly here!

Although I cannot entirely think seriously about Alcatraz since I saw Eddie Izzards take on it, very funny. I’m not even sure I’d be able to shake that if I actually went there.

Patricia’s comment reminded me of my own feelings when visiting a school that was turned into a prison in Cambodia. Next stop the killing fields :(
Phil Douglis04-Aug-2007 17:54
It is an honor, Patricia, to view this image with the context you add to it here. This is the second time in the past month that someone has left a comment telling me that one of my Bay Area images has awakened deeply personal memories involving human tragedy. (See Karen Mickleson's commentary on my Telegraph Avenue mural photograph athttp://www.pbase.com/pnd1/image/80826147 ) Both you and Karen come to my images with unique personal experiences -- I can see how this image, for example, would take you back to Alcatraz and San Quentin and the pain that comes out of such places. I was deeply moved by your own image dealing with imprisonment as well. Your photograph eloquently conveys the massive scale of incarceration. Mine uses a single a figure to represent the thousands of inmates who have lived and died in jail. And each of use bars and shadows to tell our stories. Thanks, Patricia, for coming to this image and sharing your insights with us.
Patricia Lay-Dorsey04-Aug-2007 07:12
Yes, painful reminders here of my own experience of Alcatraz. I was there to view and interact with an artist's installation that used prison visitor's telephones to hear the voices of all sides of a particular crime, from family members of the victim to members of the legal teams to the perpetrator himself. As you can imagine, Alcatraz became a hauntingly real part of this experience. I have never forgotten my personal response to the rows of empty cells. I could hear/taste/touch/see/feel those who had lived and died there.

Your image takes me back to that place and those feelings. It also triggers memories of visits I made to a friend on death row at San Quentin. Oh yes, you have truly caught the essence of all such places. In relation to this, you might find one of my images to be of interest. The URL ishttp://www.pbase.com/windchimewalker/image/81193839
Phil Douglis09-Jul-2007 05:23
Thanks, Karen, for your visceral response to this image. Expressive photographs can make viewers think, feel, and imagine. Glad this one works for you as it did for me.
Karen Mickleson06-Jul-2007 15:05
I feel the fear of the prison guard coming down a long corridor to my cell.
Phil Douglis20-Jun-2007 17:34
Yes, this image expresses the mood of a prison -- dark, confining, and threatening. By removing all detail, I abstract the scene down to its essence as a symbol, leaving the viewer to imagine the details.
flowsnow20-Jun-2007 15:03
Indeed you have captured this man and created that mood. I love this shot as it speaks of the place and drives the mood/feeling to the soul.
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