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Phil Douglis | all galleries >> Galleries >> Gallery Thirty Eight: The camera as time machine: linking the past to the present > Lobby, Luhrs Tower, Phoenix, Arizona, 2007
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28-APR-2007

Lobby, Luhrs Tower, Phoenix, Arizona, 2007

Old buildings can be considered “time machines.” They may function in the present, but they can simultaneously convey the essence of another time. The art deco Luhrs Tower, built in downtown Phoenix in 1929, was one of the city’s first skyscrapers. (Pbase photographer Alain Lucier describes its external appearance, as viewed from Patriot Square Park. See it by clicking on the thumbnail at the end of this caption.) I chose to photograph its small but evocative wood, brass, and marble lobby, suggesting the presence of the ghosts that should be riding its elevators and walking its halls. I made this photograph on a weekend, which proved both a blessing and a curse. I was glad that there was nobody around to inject the present into the mood of the past here. On the other hand, the building was closed and the front door locked. I had to make this image by pressing my lens up to the windowpane on that front door, decidedly limiting my vantage point. Using my spot meter, I underexposed the scene to stress the shine on the brass mailbox with its glistening mail chute, an incongruous anachronism in our era of email. The ornate elevator doors seem to glow – we can imagine the uniformed men who must have operated them in the 1930s and 40s. The stairs leading to the lobby are dimly seen – suggesting, perhaps, the phantom footsteps that may spring to the imagination when we look at this scene. The great depression began the same year this glorious lobby was built. The Luhrs Tower still speaks of that time in this place.

Leica D-Lux 3
1/40s f/3.2 at 8.0mm iso100 full exif

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Phil Douglis01-May-2007 22:04
Yes, this building is from the same gilded era as your railroad station athttp://www.pbase.com/seetheeearth/image/68549469 . They can't afford to build places like that --and this -- any more. Both buildings are works of art -- each expresses its purpose and era quite well. By abstracting this lobby through under exposure, I've tried to add a few soft footsteps in the night, Ceci. Listen for them and they will be there.
Guest 01-May-2007 20:35
This feels like faces within faces, with the elevator doors containing smaller visages, complete with eyes and nose, speaking of those who come and go via this ornate, classical, richly decorated space. The arches above the doors are like eyebrows, and the mail chute in the middle is a nose. This scene (even seen through glass) speaks of great wealth, exquisite workmanship, artistry and skills that perhaps do not exist in our modern day, and commitment to a design ethic reflecting ancient times. There is beauty and balance and luxury, and, as you suggest, a warm light and ambience from almost a century ago. Lovely, and it reminds me of my image of inside Union Station, here in St. Louis, at seetheeearth/image/68549469.
Phil Douglis30-Apr-2007 18:01
The key word in your comment, Jenene, is "imagine." As I note in the caption, this image is about phantoms, and they exist only in the imagination. Thank you for stressing that point so eloquently.
JSWaters30-Apr-2007 17:53
Those phantoms have certainly been busy polishing all that beautiful history into a gleaming tale. It's so easy to imagine a host of characters roaming this lobby dressed in garb from another era, carrying out the business of their day in such a romantic setting.
Jenene
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