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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Nine: The Layered Image – accumulating meaning > Stained glass, former Westward Ho Hotel, Phoenix, Arizona, 2007
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28-APR-2007

Stained glass, former Westward Ho Hotel, Phoenix, Arizona, 2007

A simple image made up of only two layers can be just as expressive as a multi-layered image. My background layer is a stained glass window, featuring a colorful western scene. It is one of several in the lobby of this building, once Arizona’s tallest. Built in 1928, the Westward Ho was one of Phoenix’s first luxury hotels. It shut down in 1979, and now is used as subsidized housing for disabled and senior citizens. The candelabra lamp in my foreground layer has bulbs glowing in only five of its seven sockets, a symbol of the wear and tear that time has brought to this once glorious structure. Yet the vividly colored scene behind it still evokes a moment of the history that once brought tourists to this hotel. Together, the juxtaposed layers tell the story of both the Old West and a famed hotel that has gracefully faded away.

Leica D-Lux 3
1/100s f/3.6 at 6.3mm iso200 full exif

other sizes: small medium large original auto
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Guest 03-Sep-2007 02:56
Every aspect of this image enriches the layers of meaning: the miner's downcast face; the low direction of light illuminating the path he takes; the divided canvas of dark and light, with that small patch of hope on the far right wall. The more you look, the more you see. It's like reading a poem that has several layers of meaning. Wow.
Phil Douglis22-May-2007 21:38
You are right, Aloha -- the cowboy and candelabra represent the past, as does this old hotel, and those retirees who now live in it. Even the stained glass represents an art of the past. Functionality is no longer important here -- it is instead a place of warm memories of another time. And that is what this image is all about.
Aloha Diao Lavina22-May-2007 07:07
The symbolism of the candles and the cowboy--both seemingly past their functionality today--does not go unnoticed here. The meagre light adds to the quiet drama this photograph contains.
Phil Douglis09-May-2007 00:39
Thanks, Charu, for noting the juxtaposition. This is one of those images that lends itself to a wideangle format. I needed to get as close as possible to the stained glass for good detail, yet still get the candelabra to fill half the frame. Working at 28mm, I could do just that.
Guest 08-May-2007 16:24
this is a very interetsing juxtaposition... since stained glass is as much about light as color. I like your composition too... the stained glass image almost exactly divides the image into two halves and each element has an interesting "place" within the whole frame... lovely shot!
Phil Douglis30-Apr-2007 17:41
Thanks, Kal and Jenene, for expressing the meanings conveyed by the juxtaposition of candelabra and stained glass layers here. The candelabra does seem to magically light the glass from the front, even though we know it is illuminated from behind. And the symbolism of the candelabra goes beyond representing a hotel in decline -- it is also playing an integral part in the story unfolding within the stained glass itself. History lives because it is a story retold again and again. Each light is a re-telling. And the burned out lights could represent our failures to learn from history.
JSWaters30-Apr-2007 17:15
The candelabra appears to be lighting the way for the cowboy, helping to keep the story of the Old West alive just a bit longer. Though a story can be time worn and faded, you've illustrated that by illuminating that story again and again, it can be just as vivid for us now.
Jenene
Kal Khogali30-Apr-2007 14:18
I like it Phil. The lights in the foreground almost seem to be lighting the stained glass (a physically impossible task). I like that they seem perfectly balanced. K
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