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Kal Khogali | all galleries >> Transition >> New Images > Two Dimensions, Bangkok 2007
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18-MAR-2007

Two Dimensions, Bangkok 2007

Canon EOS 20D
1/60s f/2.8 at 17.0mm iso400 full exif

other sizes: small medium large original auto
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Guest 09-Apr-2007 17:02
this is K at his best
George McCarten07-Apr-2007 04:27
Very spooky. A paranoic journey filled with spies, depressants, and loneliness. Could be a book cover or a movie poster.
david procter05-Apr-2007 06:57
It's been said already and as the title proclaims this is so FLAT!
A lean space between places, you somehow dont exist when in transit.I always feel for people who work at airports and other transitive places like motorway service stations. Every man;s land, but no mans land. I'm listening to Terry Riley's a rainbow in curved air (which really fits!) as I look at this picture and looking forward to tomorrow when I'll be slotting myself in as I set out on holiday.
Guest 05-Apr-2007 04:55
Great shot love the composition and barkness of this shot
Guest 04-Apr-2007 20:49
Great! Vote...
Christine P. Newman04-Apr-2007 20:29
The perspective is breathtaking. Incognito.
Adalberto Tiburzi04-Apr-2007 19:45
Nicely flattened layers...
Adal
Luca Zanoni04-Apr-2007 18:55
AH ! Fantastica !!! vvv
ruthemily04-Apr-2007 18:26
Wonderful illustration...
Trapped in transit. In the anonymous no-man's land that airports create...
JSWaters04-Apr-2007 17:54
A surrender to anonymity - something we don't give in to so easily, but sometimes necessary in today's world to avoid the wrong kind of attention. An amazing image, Kal.
Jenene
Enrico Martinuzzi04-Apr-2007 17:15
great composition. GMV
Phil Douglis04-Apr-2007 16:08
A iconic travel image, Kal. It expresses both resignation and dislocation, two conditions that beset the international traveler. We place ourselves in the hands of others, and abdicate control We are utterly passive. And often, the changing time zones warp our sense of place. The abstracted two dimensional form of the figure (standing without legs), surrounded by the impersonal, dehumanizing grid of the terminal, and facing its confusing array of choices, is really all of us who travel.
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