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Phil Douglis | all galleries >> Galleries >> Gallery Fifteen: Making travel portraits that define personality and character. > Blue Man, Sahara Desert, Morocco, 2006
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19-DEC-2006

Blue Man, Sahara Desert, Morocco, 2006

The Blue Men of the Sahara originated in Timbuktu. Berber Taureg's, they wear distinctive blue scarves on their heads. This man lives a nomadic life in the Sahara. We visited with him in his desert tent, which allowed me to take advantage of the soft light from the doorway, which was illuminating his head and shoulders. His black robes vanished into the shadows. I normally avoid making head and shoulder portraits unless there is something very special about the head and shoulder area. In this case, there was. The vivid blue –a primary color – sets off the skin tones nicely and gives identity to him as a member of the Blue Man tribe.

Leica V-Lux 1
1/50s f/3.6 at 30.0mm iso200 full exif

other sizes: small medium large original auto
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Phil Douglis19-Aug-2007 19:02
Thank you, Rusty, for grasping what I am trying to teach with this portrait. I rarely make "head and shoulders" portraits. I much prefer to define my subjects by putting them into an environmental context. But this situation offered me an opportunity to show less and say more by using, as you point out, light, shadow, and color to tell their own story of this man and this place. Thank you for seeing the fine points here, as well -- I do not enjoy artifice, and never use devices like fill flash or Photoshop manipulation to "pump up" my portraits. As you say, I look for existing light that will help me define character, such as in those catchlights in the eyes here. I use Photoshop to enhance color, contrast and exposure, but never to change the facts before me.
russellt19-Aug-2007 14:41
although not your preferred environmental composition, I think this is a wonderful portrait and also a wonderful teaching example. distinguishing features which come to mind, as compared with all the other portraits in the world: (1) super high quality light, (2) face strengthened by shadow, a la henri cartier bresson, (3) color strengthened by complementary color, as suggested by hcb tipping his hat to impressionists, (4) natural catchlights, which look better than artificial, (5) face not blown out, exposed in zone to hold detail and modeling, a la ansel adams, (6) grotesque artificial looking post processing, not. all this on top of other technical and expressive photography fundamentals. if you simply look for portraits taken in beautiful light, you won't find many that come close to this. and if you simply look for good taste in photoshop, etc. that's how rare this is.
Phil Douglis27-Jan-2007 03:38
Tauregs are nomads, Christine -- they live in the Sahara. These scarves are not only traditional, they are practical. When the wind blows the sand, they cover their faces with them. And when the blazing desert sun is overhead, the scarf may cover the face as well. Tauregs at all ages and of both genders need such protection in a desert environment.
Christine P. Newman27-Jan-2007 01:35
I don't know why, but I would have expected to see an old man with such a headdress. His age is what struck me.
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