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Phil Douglis | all galleries >> Galleries >> Gallery Thirty Three: Using light and color to define and contrast textures > Time travel, Rabat, Morocco, 2006
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14-DEC-2006

Time travel, Rabat, Morocco, 2006

It was just after dawn. I was on the bank of the Bou Regreg River, looking into the far distance at the 12th century crenellated wall surrounding Rabat’s old city. I wanted to erase all traces of our time, and take the viewer back to the medieval world. This wall was built nearly a thousand years ago, at the time of the Crusades, protecting the Almohad dynasty from the attacks of both European armies and pirates. I used a 750mm telephoto lens to reach across the river and stress the pink tinged walls. The image acquired a painterly effect, due in part to the low light, which caused me to use ISO 400. The electronic static or noise at ISO 400 works in my favor here, creating a mottled texture in the walls, grass, and sky that makes the scene less real, and more of an illusion. The pink light and textures recall a time of fire and blood. I felt as if I was looking directly into the past.

Leica V-Lux 1
1/400s f/7.1 at 88.8mm iso400 full exif

other sizes: small medium large original auto
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Phil Douglis31-Jan-2007 03:50
It is such a pleasure to hear from you on this one, Alister. And yes, I am thrilled that you have come to view my images in terms of my message, rather than what your own image might have entailed. We see this image very much in synch -- I said it recalled a time of "fire and blood --a look directly into the past," while you see possible sieges and victims. We are both seeing the fruits of light and texture here, an image that recalls a time when wars were decided by the strength of walls and those who attacked and defended them. It is interesting that Suwanee sees calm and peace, while you and I summon the trumpets of war. If my image can arouse such diverse thoughts, it must be working as expression. Thanks again for your vivid comment, Alister.
alibenn31-Jan-2007 03:16
As technology moves the art forward, the debate (once again) rages on about "what is photography?" Whether it is film or a digital sensor recording the light reflected from a scene in my mind is immaterial. There are as many ways to interpret a scene as their are photographers, and any one photographer has a multitude of options at their disposal. You will be delighted to know I am less interested now than before about arguing with you over your choice of presentation, or how I would have done it!!, and more into looking at what YOU are saying!!

The grain certainly works in your favor here Phil, it helps to add that "old feel" you are representing. There isn't much light to play with, so the dawn colors on the walls are the clear focus, even though there is a lot of foreground and mid ground elements fighting for a voice. I see this "battle for attention" as helping to focus on the impregnability of the walls, they will hold, they have held. But the intrigue unfolds, because of that wisp of cloud running across the whole sky. Or is it smoke from a besieged city, does the warm light of dawn herald the fall of the city? This drama further unfolds by the mist partly obscured by the foreground ridge....how many fell taking the city? The mound in the FG also looks a bit like a burial mound, so another little voice to the metaphor!

LOL...it worked Phil!!! We look; the light and texture enhance the perception!! :)


Phil Douglis28-Jan-2007 01:36
I have been waiting for someone to comment on this image, Suwanee, and I thank you for being the first to do it.
Your comment makes me feel that getting up this early to catch the first rays of the sun on that wall was worth the effort. I am glad my images are helping you learn.
Guest 27-Jan-2007 14:04
Phil,
This image is so beautiful, it gives off such calm and peaceful feelings. Love that touch of pink on the wall there, you have such sensitiveness to colors. I have much to learn about lighting and your images are so helpful in learning from them.
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