photo sharing and upload picture albums photo forums search pictures popular photos photography help login
Phil Douglis | all galleries >> Galleries >> Gallery Thirty Three: Using light and color to define and contrast textures > Minerva Terrace, Mammoth Hot Springs, Yellowstone National Park, Wyoming, 2006
previous | next
28-SEP-2006

Minerva Terrace, Mammoth Hot Springs, Yellowstone National Park, Wyoming, 2006

In the far northern part of Yellowstone, terraces of flowing hot springs replace spouting geysers as natural attractions. Hot spring colors and shapes change more frequently at Mammoth Hot Springs than in most other park thermal basins. Rapid mineral build up clogs the underground “plumbing,” changing water circulation and hot spring activity.
One of the most spectacular sights at Yellowstone is the enormous face of Minerva Terrace. For years it has bubbled and flowed with steaming hot water. In fact, the entire cover of the National Park Service’s current official brochure for Yellowstone National Park features a wrap-around panoramic view of Minerva Terrace in full flow and bathed in rich, golden brown colors. What we saw, however, was an entirely different ‘Hot Spring.” Minerva Terrace had gone bone dry. Its famous golden brown terraces had become white, gray, and black with only a trace of its former brownish luster. I made this image of a very small segment of Minerva Terrace –and found that its textures still told a story of time and change. What we see here is the majesty of time stopped in its tracks. It almost looks like a giant lava flow. Some might wonder, since the color is minimal here, why I did not convert this image to black and white. That would have killed the story for me. There is still a hint of color and life in Minerva Terrace, and I’ve found it in this image. The blacks and grays hold a hint brown, gold, and even bluish white. A residue of gray ash-like material wanders up from the base and then runs across the diagonal plane of the image. The subtle colors burnish the texture and make it live. To mindlessly convert this image to black and white would destroy its meaning for me.

Panasonic Lumix DMC-FZ50
1/800s f/8.0 at 25.1mm iso100 full exif

other sizes: small medium large original auto
share
Phil Douglis31-Jan-2007 04:28
And that is exactly the point I was trying to make, Alister. This is an image without scale reference because I want the imaginations of my viewers to create their own scale. How big is this mass of rock? It can be as large or small as the viewer wishes. Thanks for noting the value of the subtle colors here, as well -- it is the subtle color that make this apparently static flow of rock come to life.
alibenn31-Jan-2007 03:38
I agree, it has to be color...it's subtle, yet profound...I like this image from a compositional point of view, but it disturbs me because of the lack of a scale element? By disturb I mean, I cannot settle into the aesthetics of the image, because my natural inquisitiveness says!! "I wonder how big that is!!?"
Phil Douglis28-Oct-2006 19:24
I agree -- the basic premise of both your image and mine is the same. There is something that is stark and simple and beautiful in weathered black and gray. That is why I left this image in color. The coloration that is there is overwhelmed but still give it life.
Tim May28-Oct-2006 17:22
As we traveled throughout the West during the past few weeks we were confronted with contrasts and color. As such black and grey took on new meaning. This image reminds me of one of mine "Black Swirl" http://www.pbase.com/mityam/image/69250550 where the blackness stopped us, just as the color did so often.
Type your message and click Add Comment
It is best to login or register first but you may post as a guest.
Enter an optional name and contact email address. Name
Name Email
help private comment