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Phil Douglis | all galleries >> Galleries >> Gallery Forty One: Ruins and wrecks: photographing the rusted, busted past > Railroad depot, Lone Pine, California, 2006
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16-OCT-2006

Railroad depot, Lone Pine, California, 2006

Lone Pine was once a regular stop for the Southern Pacific Railroad. It is no longer. Its yellow depot sits well out of town, alone and forgotten. It is in private hands now – a family is slowly restoring it. The owner graciously allowed us to photograph here. (You can meet the owner by clicking the first of the two thumbnails below. ) When I shoot a ruin, I rarely, if ever, “show the whole thing.” I usually try to find eloquent details that best tell its story. To me, those key details were the nails that have worked their way out of the old train platform, and the weary bench used by passengers waiting for the train. I include a bit of scenery to give the depot a sense of place – the Sierra Nevada mountains. The Lone Pine depot also witnessed one of the most heart breaking chapters in American history. It was through this station that thousands of Japanese-Americans passed on their way to internment at the nearby Manzanar War Relocation Center during World War II. Click on the second of the two thumbnails below to see an image made at that center.





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Phil Douglis16-May-2007 04:49
Thanks, Kal. I felt the connection immediately when I saw your picture,and I linked you to this one because I knew it was one of those that you probably have not seen. (There are now 1,600 images in my galleries, and there are very few people outside of myself who have seen all of them.) Thanks for taking the time in the middle of your move from Shanghai to Brussels to offer such an eloquent analogy. I will never look at those nails again without thinking of your phrase "weighed down by time itself...and are about to give up."
Kal Khogali16-May-2007 02:20
Your galleries are a treasure trove, Phil. You always have an image I haven't seen, that seems to make a point, so well. I love bent nails in the foreground, as if they have been weighed down by time itself...and are about to give up. K
Phil Douglis11-May-2007 03:47
Thanks, Suwanee. I hope this image can help you see how important emphasizing one detail (in this case, the nails) and playing that detail against a symbolic object (in this case, the bent bench.) Glad the photo moves you. I know how much haunted places affect you -- this is just such a place.
Guest 11-May-2007 01:13
WOW! This image speaks so loudly to me, but I have no words to describe it. The nails themselves has life and they speak so loudly!! Even before reading your accompanied text, there is so much to see and interpret here. The low vantage point was definitely a brilliant choice!
Phil Douglis24-Jan-2007 05:16
You were there with me when we photographed this poignant reminder of ignorance, prejudice and fear. It is, in the end, as much an anti-war image as it is a historical memory.
Iris Maybloom (irislm)23-Jan-2007 23:47
I remember how deeply moved we were by this image....the lonely bench, the mine field of nails reminding us of a very tragic and shameful chapter of our history. Set against the beauty of the Sierras, which you significantly include in your image, only heightens the ugliness of Manzanar.
Phil Douglis24-Nov-2006 18:26
As you know, Mo, an expressive image is one that activates the imaginations of those who view it. I am delighted that this image stirs your imagination. Even without reading the caption, which greatly enhances the meaning of this picture, you still feel a sense of place here. Thank you.
monique jansen24-Nov-2006 14:25
You can imagine the prairie winds, dust bunnies and a profound sense of loneliness and solitude here.
Phil Douglis06-Nov-2006 17:48
I think you like this image so much, Ai Li, because of the story it tells. It is an intensely human story, fraught with heartbreak and injustice. And you know such stories first hand, so you can relate to this image better than most. The raw planks and exposed nails speak eloqently and symbolically. Because of this vantage point, we see history from an eyewitness view point. The planks and nails were there. They felt the weight of sadness and knew the pain of dislocation and ruination. The sagging bench echoes the suffering that once took place on this spot. The distant mountains do speak of freedom, as well as give the image its sense of place. Thanks again, Ai Li, for giving so much of yourself to this image.
AL06-Nov-2006 08:45
It's a truly brilliant perspective. As if we're seeing from the point of view of a nail, helplessly stuck on the platform. Perhaps it's trying to uproot itself and escape from the sad history as it saw many of its mates succumbing to the bleakness. It looked at the platform surface and recalled many footsteps and luggages, both carrying heavy burden. It looked up at the empty bench and recalled the passengers who sat, waited and left, witnessing many conversation and emotions. It looked at the mountains and admired its beauty, withstanding the test of time and nature. Perhaps a sense of longing to be freed. To me, it's one of your best pictures in this gallery. Thanks, Phil.
Phil Douglis31-Oct-2006 18:13
Thanks, Jenene, for bringing back the ghosts to this place.
JSWaters31-Oct-2006 17:03
I can't help but feel the nails were forced up by the ghosts of all the vibrating trains that have passed through the depot.
Jenene
Phil Douglis28-Oct-2006 19:09
Your comment evokes all that I had hoped to express in this image, Ceci. It is an attempt to tell a story through symbol and juxtaposition. Glad it succeeds for you. And thank you, Monte, for coming to this story as well. I know the respect you bring to the past from looking at your own gallery of ruined structures, and appreciate your comment.
Monte Dodge28-Oct-2006 17:31
Great shot here!!! Nice work and story lines to boot!!
Guest 28-Oct-2006 07:00
What a stunning shot, and such stories the uprisen nails could tell! They were once hammered flush with the wood, and now have been squeezed out of material that changes as it ages and weathers -- all against the backdrop of the seemingly changeless mountains. This photo has a haunted quality to it, the empty bench and its shadow, so lonely, and the viewpoint at floor level gives this scene quite an incredible poignancy.
Phil Douglis27-Oct-2006 22:06
Yes, Tom, I did.
Phil Douglis27-Oct-2006 21:08
Thanks, Tim, for this comment. You were there with me, and remember how bleak it was. That was the exactly the feeling that was driving me to make this image: bleakness. The sea of nails and the sagging bench speak of the history this place has known, some of it very sad.
Tim May27-Oct-2006 20:53
I love the way you have captured the bleakness of the scene and the bleakness of the history.
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