photo sharing and upload picture albums photo forums search pictures popular photos photography help login
Type your message and click Add Comment
It is best to login or register first but you may post as a guest.
Enter an optional name and contact email address. Name
Name Email
help private comment
Phil Douglis | all galleries >> Galleries >> Gallery Thirty Nine: Juxtaposition – compare and contrast for meaning > Cross-section, New York City, 2006
previous | next
02-AUG-2006

Cross-section, New York City, 2006

The early morning sun gives this cityscape the glow of painted canvas. It is a cross-section of contrasting scale, color and architectural style, underscoring the evolution of New York. In this three-layer image, I juxtapose three progressively higher structures. A small red 19th Century building occupies the foreground and a slightly larger early 20th Century building in the middle ground. In the windows of the 19th Century building we can see abstracted reflections of 21st Century advertising billboards. The middle building is topped with a water tank matching the color of the massive structure forming the background layer. From the look of the faded signs on its wall, it seems to date from the early years of the 20th century as well. ¬

Leica D-Lux 2
1/400s f/4.9 at 25.2mm iso80 full exif

other sizes: small medium large original auto
share
Phil Douglis21-Aug-2006 23:22
Thanks for pointing out the implied presence of the 21st century here, Jenene. I like the way you see this image as a metaphorical ladder. It becomes a continuum, juxtaposing eras of time upon each other that do not begin or end with these buildings.
JSWaters21-Aug-2006 20:03
We're climbing the ladder of time, a romanticized journey through the heights of a society's mark on the landscape - our buildings. You leave the story open ended, though. We can visualize the next rung on the ladder, the gleaming skyscraper of glass and steel, but we don't always have to see the physical evidence to have confidence in the future.
Jenene
Phil Douglis17-Aug-2006 02:49
Thanks for the translation. Philippe is an elegant name, and elegant I'm not. As for the reflected heat, you felt right. August 2nd was the hottest day of the year in New York. Speaking of reflections, Ceci, look into those windows and study what is going on there, too. Mysterious stuff.
Guest 17-Aug-2006 02:43
"Philippe" is French for Philip, so it phelt like it phit. I can almost feel the heat from the sun absorbed in that orage face!
Phil Douglis17-Aug-2006 00:09
What an eye, Ceci -- I saw the faded old sign on those bricks, but never thought of it as a reference to the photographer. I guess because I am Philip, or Phil, not Philippe! You are right about the softness here -- if the light is soft, the image will be soft, even an image of hard bricks like this one. Nice thought on how those bricks must have been made as well. It is astounding how many buildings 100 years old or older are still used in everyday work in Manhattan.
Guest 16-Aug-2006 23:51
Old buildings, faced in bricks hand-made from the clay of the earth, today replaced with machine made glass and steel -- substances that hands could never touch. There is a warmth and softness to these structures with their decoratively arched windows, suggesting a slower pace of another time, that is lacking in today's often cold and frenetic architecture. And what a nice touch to find the photographer's name in the faded sign at the top left: Philippe!
Phil Douglis16-Aug-2006 21:13
Yes we do, Ali. It is my pleasure to open your eyes to the possibilities inherent in juxtaposition. You can walk down a street such as this, see a bunch of buildings, and dismiss them as not being anything special. Or you can study the way the juxtaposition of light, color, and texture define differences in age and era and function and then isolate those parts that best tell such a story through contrast and comparison.
AL16-Aug-2006 08:01
We're living in such a "contrasting" world, Phil. You would also find another interesting cross-section of contrasting character, age and life in these buildings. Thanks again for opening my eyes!
Type your message and click Add Comment
It is best to login or register first but you may post as a guest.
Enter an optional name and contact email address. Name
Name Email
help private comment