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Phil Douglis | all galleries >> Galleries >> Gallery Thirty Six: Adding or subtracting context to clarify or extend meaning > Woodworking artist, Riverton, Oregon, 2006
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12-JUN-2006

Woodworking artist, Riverton, Oregon, 2006

Philip Clausen makes art out of home furnishings carved from huge pieces of wood full of burl. I made this portrait of him as he discussed the scale of the ornate housing for a dumb-waiter that stands before him. This picture has interchangeable contexts and subjects. We can say it is a picture of a piece of art, with the artist shown as context. Or we can look at it as a portrait of Philip Clausen, and use the wood as context for his art. I prefer to see it as an environmental portrait, wrapping the artist in wood both in the foreground and the background. I like the way he took possession of the wood as he talked with us – it is a piece of him as well as piece of art. I stressed the context here – it is much larger than the man himself. Yet it serves as an extension of the man as an artist.




(A sad post-script to this image: On October 23, 2014, eight years after I made this photograph, I received an email from Philip Clausen’s daughter in law. She told me that Philip had recently died, and that the Clausen family wanted to use this image at his memorial service, and for his obituary. She said “of all the images we are looking at, we feel that yours really captured his spirit.” I sent her a copy of the photograph, and told her that I was honored to be of help to the family. Philip Clausen was 88 years of age, and he did not die a natural death. He perished in a fire. His studio, home, and all of his unsold work were destroyed. The piece of wood that he holds in this image is now ash. In the face of such tragedy, this photo assumes an additional dimension and purpose. It recalls this artist as he lived and worked, and in its own way, it will serve to keep his memory alive for those who knew him.)

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1/400s f/6.3 at 9.6mm iso100 full exif

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Phil Douglis29-Jun-2006 00:37
Pride, indeed, Iris. And well he should be proud. He works on a heroic scale and at the same time roots much of his art in fine texture and detail. I tried to encompass both scale and detail in this image.
Iris Maybloom (irislm)28-Jun-2006 21:37
I see great pride in the face of this skilled craftsman and the way his arms stretch out to encompass his art.
Phil Douglis19-Jun-2006 18:22
You are right, Tim. The artist appears on top, as the my subject. The art appears on the bottom, as context. His gentle hands and outstretched arms seem to caress the wood and make it his own, implying his mastery of his medium.
Tim May19-Jun-2006 16:29
I love the way the artist is so dominate above his art. He is the master of what he creates.
Phil Douglis18-Jun-2006 17:59
Thanks, Roberto -- glad that I've inspired you to add context to your own portraits. And thanks for enjoying this one.
Rob Rosetti18-Jun-2006 09:30
Clarifing one of your important ideas: add context to a portrait. A lesson I will try to apply to my future work. This is a stunning portrait! Roberto
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