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Phil Douglis | all galleries >> Galleries >> Gallery Thirty Six: Adding or subtracting context to clarify or extend meaning > Abandoned sedan, Remote, Oregon, 2006
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12-JUN-2006

Abandoned sedan, Remote, Oregon, 2006

Remote is an appropriately named village. Much of its identity vanished when its post office and general store closed down in 1993. The most poignant sight in Remote is the abandoned car of Remote's late postmaster. Her Lincoln Continental still stands parked behind an old barn. The image gains power from its supporting context. It is more than just an old rusting car. It is incongruously planted in a field of dandelions. Storm clouds glower. The siding of an old barn speaks of another time. When I add verbal context explaining that this car’s life ended along with its owner’s, the post office, general store, farm, and much of the village itself, this image becomes even more evocative.

Leica D-Lux 2
1/800s f/6.3 at 6.3mm iso80 full exif

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Phil Douglis28-Jul-2006 23:48
If you read the caption, you will learn why this car still sits in these dandelions. Its owner died, and apparently the car died along with her. The lawn was not a lawn, but a pasture, and while weedy, it is very much alive with flowered beauty, which stands in contrast to this rusted car. You are right about nature winning in the end. This was once a prestigious automobile, but time and nature have virtually consumed it. Thanks so much for these observations, Jude.
Jude Marion28-Jul-2006 13:51
Wonderful image, Phil. Even without reading your explaination, it's clear that both the building and car are abandoned. And I'm left wondering why. The car is exposed to the elements, rusting away. The untended lawn has turned to weeds which look like they are about to trap the vehicle. The clapboard siding is slowly falling away fron the structure. This is nature reclaiming the man-made. The mountains in the distance and threatening sky watch over this scene. I'm aware of the challenges that faced the early settlers who moved west. The mountains and weather figured large in the difficult trek. So, this image suggests a victory for nature.

I agree with Mary Ann - the diagonals create a wonderful movement, leading the eye back into the mountains, to nature.

Phil Douglis19-Jul-2006 21:59
Thanks, Mary Ann, for coming to this image. I was hoping someone would see its expressive qualities. As you note, this images is more than a description of an old car. It expresses its ideas by how I relate it to its context -- the old barn, the distant mountains, and dandelions. It is very much a composition built on slashing angles and diagonals, and the glowering sky certainly adds an emotional mood to the scene.
Guest 19-Jul-2006 14:32
Diagonals and angles: the car leads me to the building which points me to the pass in the mountains. I like the movement and moods of this photo. -- Mary Ann
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