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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Four: The Workplace -- essence of a culture > Ditch diggers, Guilin, China, 2006
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05-APR-2006

Ditch diggers, Guilin, China, 2006

It is always jarring to Western eyes to see women at hard physical labor -- but jobs are jobs and Chinese women appear to be ready and willing to do whatever it takes to earn their wages. This pair had been digging a ditch on a Guilin street for over an hour. They take turns at digging and resting. They approach the task in a matter of fact way, and send each load of dirt spinning into space. I photographed these people at work for ten minutes or so – another image, showing one of these women at rest, is posted in my Human Values gallery. See it by clicking on the thumbnail at the bottom . I used the full extent of my zoom lens – 420mm – to make this image from across a busy street. The 1/40th of a second shutter speed was slow enough to blur the dirt, giving it an explosive effect that contrasts to the matter of fact expressions on the faces of both women.

Panasonic Lumix DMC-FZ30
1/40s f/3.7 at 88.8mm iso80 full exif

other sizes: small medium large original auto
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Phil Douglis20-Apr-2006 18:15
I love the way the dirt hangs in the air as well. It does seem to ask a question and demand an answer from the viewer. Whenever the camera stops an object in flight, we can look at it as either coming or going, can't we?
As for metaphorically pondering the future of China's one and one half billion people, your guess is as good as mine, Tim.
Tim May19-Apr-2006 18:39
Wow - that blur of dirt and the concentrated expressions of the woman - moves this image to the realm of metaphor for me. We don't see the shovel and depend on your caption to tell what is going on - removing your caption and just looking at the image I am struck by the ambiguity here - is the dirt moving towards the women or away from them. Is China in the middle of a huge reconstruction, or in for a massive smack in the face, a massive deconstruction. What a powerful image.
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