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Phil Douglis | all galleries >> Galleries >> Gallery Nine: Composition -- putting it together > Naxi woman, Baisha, China, 2006
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31-MAR-2006

Naxi woman, Baisha, China, 2006

This woman has been bent by the heavy burdens she has carried on her back since youth. In the Naxi culture, women seem to perform the hardest and most demanding tasks. I saw her approaching from a distance and composed the structure of this image in my mind beforehand. I built the image around a diagonal drainage ditch that slashes through the center of the image. I saw how it linked to two horizontal elements – the shadow of the building in the background and the log at right. All I needed to complete the idea was a third horizontal element between them. The angle of the sun would provide just that as the woman stepped across the ditch and moved into the right hand side of my frame. Her shadow extends horizontally back towards the ditch, rhythmically repeating the other two horizontal elements flowing off of that diagonal ditch. I chose to organize my image in this way not because it looks nice, but because it helps the picture work more effectively as expression. This composition reinforces the central idea of this picture – a life of burden and obstacles. She had to move thorough the darkness of that shadow, cross a ditch in her way, and now must deal with that log. Her body appears to be weighed down with burdens, and her path has not been an easy one.

Panasonic Lumix DMC-FZ30
1/500s f/5.6 at 13.0mm iso80 full exif

other sizes: small medium large original auto
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Phil Douglis13-Jul-2006 04:51
You are right, Sun Han, == Lijiang is very pretty but very crowded with Chinese tourists. We had to go well outside the city to find this quiet spot where man and nature can age together. As for making photos, thinking is essential if you want to express ideas to others. If you just want to record what you see, neither thought nor equipment is paramount. You just point any camera and shoot. But if you want to tell a story, and trigger the imaginations of others with your images, it is important to think about the ideas we discuss in this cyberbook, and at very least use equipment that can offer you the tools you need to express your thoughts to others.
Guest 11-Jul-2006 14:27
i was at Jijiang last year, it was always a release to find among that highly touristic pretty town
some quiet street corners where brooks running clear and normal life and aging taking place

i never thought that much when i taking photos, nor considering any equipment
Phil Douglis19-Apr-2006 20:22
Thanks, Shirley, for the welcome and the comment. As you can see, it was a productive trip. I like your idea of zooming back a bit to embrace more of the back wall - it would have added even more horizontal thrust to the image. It also would have reduced the size of the woman. She would be overwhelmed by the scale of the wall, and her burden would seem even heavier, strengthening the meaning of the picture. However there are always tradeoffs in photography. In becoming smaller, we would lose the detail in the soft glow in face. It is a small but important part of this image. If she any smaller, it would be very hard to see her expression. In any event, I made this image by following my instincts. I am glad you find it expressive, and I always welcome your suggestions and ideas, Shirley. You are helping me teach.
Shirley Wang19-Apr-2006 14:03
Phil, welcome back!

This one is extremely expressive!
Another way I would try is to increase the space of the backwall and make it even heavier, but then the contrast may be sacrificed a bit.
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