photo sharing and upload picture albums photo forums search pictures popular photos photography help login
Type your message and click Add Comment
It is best to login or register first but you may post as a guest.
Enter an optional name and contact email address. Name
Name Email
help private comment
Phil Douglis | all galleries >> Galleries >> Gallery Thirty Two: On Safari -- expressing the essence of nature > Baboon curtain, South Luangwa National Park, Zambia, 2006
previous | next
04-JAN-2006

Baboon curtain, South Luangwa National Park, Zambia, 2006

Our chalets at Luangwa River Lodge featured boardwalks leading to the river. A troop of baboons used this area as a passageway and playground. They would often sit outside my window, their shapes dimly visible through the bamboo curtains that covered the screened doors to our chalets. I take advantage of the abstracting power of those curtains. The distance of the baboons from the curtain, as well as the intensity and direction of the light, determines how much the curtain abstracts them. Just as these playful baboons played tricks on each other and on lodge guests, the screen itself plays tricks with our perception. What is that blurred figure behind the door and what does it want with us?
Baboons mimic humans, and when abstracted in this manor, this baboon becomes incongruously human.

Panasonic Lumix DMC-FZ30
1/60s f/4.0 at 88.8mm iso80 full exif

other sizes: small medium large original auto
share
mzungu01-Mar-2008 16:11
:))) great!!!
Phil Douglis16-Jun-2007 05:45
Yes, Sun Han, this could be a Buddha statue sitting just outside of my room. But a live baboon is much more fun.
Guest 16-Jun-2007 04:56
indeed, as if a buddha statue
Phil Douglis18-Feb-2006 00:06
And I love how this image triggered your imagination into working overtime, Celia. That is what is so wonderful about expressive photography as a form of communication. I made my image, and then you made your own image out if it -- one that goes far beyond anything I intended. I am delighted that my picture, which is essentially about perception, has brought such an emotional and thoughtful response from you. It warms my heart. It is why I photograph. I always hope my images can trigger the imaginations, emotions, and intellects of my viewers. This one has obviously done just that -- at least for you. Thank you.
Cecilia Lim11-Feb-2006 21:47
Phil, this has to be one of the most evocative images, and certainly my favourite in this amazing gallery! Most of the photos in this gallery put us viewers into the position of an observer of the animal life, but here, we BECOME the animal because we experience what it's like to be stalked and hunted. This time, we are the prey, trapped and stalked by a predator on the outside - who is watching, waiting, calculating our every move ... The abstraction of the entity outside makes it even more eerie because it represents all of the unknown, which often strikes fear in our hearts. We, the hunted, are literally in a dark place where our freedom and our lives are threatened by others.

This is truly a remarkable expression of the very essence of survival in the wild - of the hunter and the hunted. By experiencing these feelings here, we can finally identify with the animals who live this kind of life everyday in the wild . This is what makes this image the most outstanding image about wildlife in your gallery. I love it! This one really blew me away!
Phil Douglis28-Jan-2006 19:07
Great to hear from you, Gil -- and I appreciate this comment. It makes me see the image from an entirely different perspective. And yes, you are right. It does embody all I teach. Abstraction, incongruity, and human values are all very much present. The irony is that this image was made from my own room. We spent nine hours a day tracking wildlife in Zambia in a Land Rover -- yet to make this image, I simply left the chair in front of my laptop, stopped editing for a moment, picked up the camera and this was the result.
Gil Hidalgo28-Jan-2006 05:42
This image moves me. It has all the elements which you so much believe and practice. Incongruity is the word of the day. This one is worth imitating. In fact, all of your images are worth imitating! This one just challenges me the most.
My take on ths picture...you are the captive and he is the spectator.
Hope to see you again soon.

Gil
Phil Douglis26-Jan-2006 18:00
Thank you, Ramma, for this perceptive comment on the difference between looking and seeing. If you were there with me in person, you could easily have only noticed the blind, and not seen the baboon lurking behind it, because you were not focused on what was outside, only inside. I made this image, however, to stress the presence of that baboon, and make you acknowledge its presence. In other words, I have made you see something with this image you might not have noticed yourself. And thanks, too, for pointing out the four layers that blend together to make this image express its meaning -- the blind, screen, baboon, and forest.
Ramma 26-Jan-2006 08:50
Very well layered image. 1st we have the blinds, then the net, after which the Baboon, and finally the Greenery. its a sight that i may have never captured, and thats why this gallery becomes all the more appealing. I get to see so much through your eyes. This to me is a beautiful example which brings out the difference between looking and seeing.
Phil Douglis25-Jan-2006 05:25
Your comment chills me, Alister. Just thinking about a bamboo curtain and two seconds of time as all that stood between me and those three inch teeth, gives me reason to be grateful that I am no longer sitting in that chalet, editing my pictures, and looking at the hulk of a baboon waiting for me on the other side. (I think of how many times they darted in front of me on the path leading to the lodge, as well.) Thanks for affirming the freshness of the concept, however. This image is indeed based on abstraction, pattern, rhythms, and a frame within a frame.
alibenn25-Jan-2006 01:37
When I first opened this gallery two days ago, this is the image that leapt out at me and screamed...shot of the trip...

This is the image the casual tourist misses, only through the eye of you Phil, do we get to share this image. Catriona makes an excellent point...I have talked quite a bit about boundaries and mans need for security in my own galleries, and this is another classic example...The implied security and isolation from the wild, but that Baboon could be on there in a couple of second, it's 3 inch teeth ripping all in it's way...

The patterns, repetition, abstraction, frame within a frame...all working their mojo...
Phil Douglis24-Jan-2006 22:44
I love your interpretation of this image, Catriona. One of my great joys is making a picture and seeing it grow in meaning as others view it. Helping me to see this image as a symbolic barrier between environments and questioning the thoughts of those who may sit on either side of it, is a great gift. Thank you.
Guest 24-Jan-2006 12:04
An absolutely amazing image Phil. The green and brown colours of the outside show vividly through the dark bamboo curtain, making it a very inviting place for the explorer. The bamboo curtain not only abstracts the baboon but it also puts up a barrier between us and it, separating our two environments. Who is watching who?
Phil Douglis24-Jan-2006 03:32
And a good metaphor it is. Actually, the "baboon curtain" was my feeble attempt at a pun. (Remember the "bamboo curtain" which separated Communist Asia from the West back in the 1950s and 60s? I couldn't resist.)
Tim May24-Jan-2006 00:16
I find myself thinking of the "curtain" through which we are always viewing what we see when we travel - for me this image is a metaphor for the state of the travel photographer.
Type your message and click Add Comment
It is best to login or register first but you may post as a guest.
Enter an optional name and contact email address. Name
Name Email
help private comment