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Phil Douglis | all galleries >> Galleries >> Gallery Eight: Light and shadow shape meaning > The Dawn Casts Long Shadows, San Miguel de Allende, Mexico, 2005
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The Dawn Casts Long Shadows, San Miguel de Allende, Mexico, 2005

Morning and evening light in San Miguel's clear air and high altitude illuminates the warm colors of its buildings, the colorful clothing of its residents, and casts long and mysterious shadows. I find the man’s sharply defined shadow to be aggressive, perhaps even somewhat threatening. Yet the soft shadow on the right hand side of the image seems more of a mystery than a threat. The man is pinned between both shadows, and framed by the black hole of the doorway behind him. He is so relaxed that he notices none of this. But as photographers, we must notice such things. The meaning of our pictures depends on them.


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Phil Douglis14-Jun-2006 17:22
Without the jacket, it's a different picture, Jack. It provides a colorful "opposite" to the grim shadow on the wall.
Guest 08-Jun-2006 22:22
His jacket makes it for me!!
Phil Douglis17-Apr-2006 06:22
Thanks, Jeremy. No, it's not me. Sorry for misleading you. I just changed the title picture on my worldisround.com travel article archive to one of an elephant! As for getting up at dawn, it is great pleasure to do so. It is a joy to see the places I visit in the most compelling light and color possible.
Jeremy22-Mar-2006 12:10
Hi, Phil
You have this photo posted on the homepage of your WorldIsRound website, and in fact I initially thought it was a self-portrait of yourself ! The play of light and shadows in this photo is outstanding, and your ability to see and capture the scene even more so. Such photo opportunities are transcient, and in our travels moving from place to place on the go, we come across them only occasionally even though we look out for them all the time, and it is a source of great pleasure and satisfaction for all photographers if we are able to capture those moments expressively on camera. Thanks for sharing with us the beautiful picture, which was your reward for the effort and sacrifices of having to wake up at dawn every day for all the eleven days of your trip. Cheers.
Phil Douglis13-Dec-2005 00:37
Once again, our "Photo-Analyst in Residence" Celia Lim has give us insights into an image that go far beyond my original intentions. I was not conscious of the presence of that much history in this picture -- I saw it as primarily a culturally revealing image and an effective teaching exercise in the use of light and shadow. I thank you for adding all those layers of Mexican history to this photo, Celia. In doing so, you add a great deal to the potential depth of expression here. This "after the fact growth" frequently happens to expressive images. As my viewers respond to a photograph, the picture sometimes takes on a life of its own. I think that is what may be happening here. I selected this image as the "representative photo" of my light and shadow gallery upon my return from Mexico because of the powerful immediate impact created by the beautiful light, the mysterious shadows, and the brilliant colors. Yet my instincts told me there was a much more in this photograph than immediately meets the eye. You have confirmed them with this comment, Celia. I was, of course, well aware of historical references with every step I took in San Miguel. As the tinderbox of Mexico's 1810 revolution, and as a former Spanish colonial city, traces of the past here are evident as the present. Thank you for this eloquent summary of how Mexico's history reverberates in this image for you. I will always be grateful to you for illuminating the depth of this image for me.
Cecilia Lim12-Dec-2005 09:01
Phil, the great thing about your images is that you are able to tell a story with many subtle elements that work together to build rich meanings into the picture. I am often drawn first to your images by its visual impact. But I often find that there is always a lot more to read into, which brings me up to another level of discovery & appreciation. The colours, lighting and composition here are very beautiful indeed, but it is the shadows that push this image into another level of story-telling when combined with all the elements here.

Here, this colourful image of a man standing alone by the doorway is no longer really alone when you start to notice the various shadows that surround him. There is a sense of time, history and the presence of something bigger than himself "carrying" him along to where, what and who he is now. When you study the colours here, they are also a reference to the history of the Mexicans. This whole image now becomes a symbol of the Mexican identity and its struggles through the spanish occupation. This vivid red is a reminder of the Mayan past whose culture is believed to have used this scarlet shade in many of its art and crafts, and facade of its mighty stone pyramids. But it is also a symbol of the blood shed during the suppression by the Spanish. The mysterious shadow behind him now represents a vague and distant past, but it is there, part of his legacy. And the shadow infront is forwardly aggresive and well defined, as if indicating that Mexicans have and are determined to move on from a painful past. This man stands infront of a door - also symbolic of the transition between the past and future. His clothing is colourful, which now captures the spirit of today's Mexicans who celebrate life in many forms of festivities. But the red on his jacket, although modern, links him to his past - a reminder of his legacy again.

Now, who would have thought that this simple image of a man standing next to a door at dawn actually speaks this much! Another wonderfully rich story-telling image Phil!
Phil Douglis15-Nov-2005 18:48
Someone once said "Luck is the residue of design." Yes, there is good fortune involved here. But I have always told my students that we can help make our own luck by increasing the chances for things to work in our favor. I not only got up at dawn to hit the streets on that day, but on every one of the eleven days of the trip. This gave me a better shot at a shot such as this one.
monique jansen15-Nov-2005 18:17
You are absolutely right, it takes hours of walking the streets, getting up at the crack of dawn, finding the right person in the right place, it takes a bit of luck to make an expressive photo as well!
Phil Douglis15-Nov-2005 17:59
You make it sound so easy, Mo. As if all we need do to make an image work is to go out and find a colorful figure casting a perfect shadow in beautiful light. I wish it were as easy as you make it sound. But it requires getting up at dawn, walking the streets of a city where buildings are painted in vivid colors, and then finding a person in a colorful outfit who is standing in just the right spot in relationship to the morning sun to throw an expressive shadow. I feel very fortunate to have found this combination of factors, but realize that such moments as this in photography are the exception, rather than the rule. That's why we have to make the most of such good fortune. It might never occur again.
monique jansen15-Nov-2005 15:11
This one has shadow, light, and color, how could it not work? Excellent street photography as well.
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