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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Nine: The Layered Image – accumulating meaning > Marigolds, Mercado de San Juan de Dios, San Miguel de Allende, Mexico, 2005
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02-NOV-2005

Marigolds, Mercado de San Juan de Dios, San Miguel de Allende, Mexico, 2005

Marigolds are used to honor the dead in Mexico. When she has finished her marketing, this woman is will probably carry her flowers to the cemetery, where she will observe the festival of The Day of the Dead by decorating a family gravesite. I’ve organized this image around a series of layers which move us ever more deeply into space. I shot the picture from over the shoulder of the man at lower right, thrusting the viewer first into the basket of bread that sits before him in the foreground layer. Other people create a framing device on both the left and right hand sides of the image in middle ground layer. The woman bearing the flowers is illuminated by backlighting that streams down on her in a series of dramatic rays from the top of the frame. A long and deep background layer lies before her, its tiny figures providing a sense of scale, telling us how far she has yet to go before reaching the main market below a distant awning.

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Phil Douglis10-Dec-2005 04:22
Great metaphor, Jack. San Pedro comes to San Miguel.
jack 09-Dec-2005 21:47
The man in the cowboy hat could be St. Peter at the pearly gates.
Phil Douglis19-Nov-2005 04:21
I carefully built this image -- well before I made this particular picture -- around the patch of sunlight on on those cobblestones. I used my spot meter to pre-expose and focus on that spot and shot a number of people as they walked from the darkness into the light. None of them told my story until this woman came into my frame, marigolds in hand. The rays were already in place, and so was the breadbasket. She was the last, and most important layer, I added. Thanks, Christine, for understanding this image in terms of its various layers.
Guest 19-Nov-2005 03:52
This is a very interesting picture because there are different elements to take into account. At the centre, the lady, sun rays pointing at her, almost like a holy person, is the point of attraction. She is taking her marigolds (which look like roses to me) to the family gravesite. The light is subtle, respectful, isolating her from the crowd in the foreground which seems to be dealing with more down to earth issues as proven by the presence of the bread basket. Christine
Phil Douglis15-Nov-2005 18:24
And that was my intention, Mo. By creating these layers of meaning, I thrust the viewer into the image. You follow her as she moves away from the large basket of bread in the foreground, into the patch of light on the cobblestones, and then through the rays of the sun to the distant market in the background. And so you watch her walk away just as I watched her, and you become a virtual participant, rather than a passive observer.
monique jansen15-Nov-2005 15:20
I feel like I am one of the viewers here, watching that woman carry her flowers.
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