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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Four: The Workplace -- essence of a culture > Window Washer, Zagreb, Croatia, 2005
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05-SEP-2005

Window Washer, Zagreb, Croatia, 2005

Caught between the surge of Zagreb's morning rush hour traffic and a maze of banners and electrical wires, this fellow keeps the glass of commerce clear and clean. This kind of work is almost invisible – the people who keep the infrastructure operating often have no fixed place to work. Their jobs take them everywhere and anywhere. I loved the morning light and how it helped abstract this man. Instead of a specific person, the backlighting makes him into anyone and everyone. I hem him in with diagonals – the tilted building, the tram below him, the banner that hangs across the street, the maze of electrical wires. He works in a complex world, which he takes for granted. I made this image as he paused to study the effect of his job, fingers poised, ready to move on to the next window. He takes no heed of the huge beer advertisement across the street that acts as a reflector for the golden morning sun. It’s just another surface in a city of surfaces. But for my purposes it adds a splash of warm color to complement the blue of the sky, a vivid counterpoint to the shadowy world of the window washer.

Canon PowerShot G6
1/1250s f/6.3 at 7.2mm full exif

other sizes: small medium large original auto
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Phil Douglis11-Nov-2005 04:33
Thanks, Jude, for the good words. All it takes to rise above chaos is a tall ladder, right?
Jude Marion28-Oct-2005 08:11
Phil. this is wonderful! As you say, this is busy, chaotic setting ... the building across the street looks monolithic in this scene, but the man seems to be unaffected by the setting - if fact, he appears to be rising above it!
Beautiful!
Phil Douglis15-Oct-2005 18:22
Hi, Ana,

I loved your original comment. I saw it not as being critical in any way, but rather as an honest response that I could then turn into still another lesson. That is the only reason for my posting images here -- to teach, and for others to learn. Your refreshing comment -- a story of how you saw the image -- underscores some important teaching points I wanted to make as extensions of that image. Thank you, Ana, for bringing your wonderful imagination to bear on it.
Phil Douglis14-Oct-2005 21:52
Thanks, Chris. The counterpart of light, warm morning light or not, is always shadow. And shadow is a medium of abstraction. As it is used here. Glad to help.
Chris Sofopoulos14-Oct-2005 21:24
Well I hadn't think about the warm morning light that abstract some things. And you are absolutely right. Wise words as always Phil. Thanks for sharing your knowledge.
Phil Douglis14-Oct-2005 21:03
Thanks, Scott, for your comment. I did not play with shutter speed to blur the vehicles because I abstract them here in shadow to the point where the effect of such blurring would have been minimal. As for showing the guy cleaning the window, I thought what he was doing was self-evident from his perch on a ladder. This is an abstract image, Scott, not a literally descriptive image. I want to leave some room for the imagination of my viewers to enter the picture, and so I chose a moment when he was not scrubbing a window, but rather, standing back to examine his handiwork.
scott 14-Oct-2005 14:03
Great silhoutte shot here. i like how you captured the very beautiful light. i have a few comments on this though: 1) i think it might benefit the image if you had used a slower shutter speed to show movement of the vehicles, and 2) maybe you could have waited for the guy to actually clean the window because w/o the description you made, it's really hard to tell what the man was doing up there. Great image still!
Phil Douglis13-Oct-2005 23:42
Hi, Ana. Glad this image gives yours eyes such a workout. That was my intention. To stress the chaos that surrounds this guy, yet somehow always bring you back to him. I have apparently succeeded. As for that white van, I included it for meaning. I wanted to keep just a touch of reality, as opposed to abstraction, in that street. I darkened the tram almost completely, but kept a touch of white in the van because it added street context. But only a touch. Sorry it distracts you, but that's part of life on the street here. Your distraction is my context. I never include distractions to distract -- only when they add context for meaning. This is not intended as a work of art -- it is a street picture, a workplace picture, a teaching example. He is awash in a sea of distractions, including the huge billboard acting like a reflector behind him. My goal was to make a complex image to express a complex environment, yet somehow abstract it all to make it coherent. I think I've been able to accomplish just that, judging from your comment.
Ana Carloto O'Shea13-Oct-2005 11:31
The light reflecting on that ad. panel really makes for half the photo ;) It is a strange thing to say, but my eyes keep bouncing from there, to the silhouette of the man, to the light on top of the bus and then back to the advertisement panel. It's a madening cycle that I find really amazing almost like the eyes became little monkeys jumping across the image, while holding on to those electric wires...
The fact that you've caught the man in a pause, admiring his work makes the symbolism of the image greater, because suddendly we notice him too and if he was working he would be lost among those other shapes, but it's his unusual positioning that makes look at him... with him...
I love it! The only thing that I find distracting from my point of view it's the white van on the left... So, I cheated and I pulled the image down on my screen to the point where I cannot see the van at all, just the top of the bus and that promise of light... My eyes are so happy like this... circling around this image.
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