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Phil Douglis | all galleries >> Galleries >> Gallery Eight: Light and shadow shape meaning > Ghosts of the La Fonda, Santa Fe, New Mexico, 2005
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16-JUL-2005

Ghosts of the La Fonda, Santa Fe, New Mexico, 2005

If you believe in ghosts, there is no better place in Santa Fe to find them than at the historic La Fonda Hotel. Although the present structure dates from 1922, there has been a series of inns and hotels on this site since Santa Fe’s founding in 1607. Executions, murders, and suicides are said to have taken place here over the years, and travelers periodically report ghost sightings in the present hotel. Given its haunted history, I felt obligated to create an image commemorating that aspect of La Fonda’s legend. Although it might have been a lot easier to fabricate a ghostly photo with Photoshop manipulations, I preferred to find my own moment in light and shadow, an actual image expressing a haunted vision. Standing across the street from one corner of the hotel, and using a long lens to draw a crosswalk into the frame as a lead-in to my images, I previsualized the images I would make before I made them – I simply wanted to photograph a series of early morning shadows cast by passing pedestrians on the hotel’s façade. And so I waited and shot, and shot and waited. People often cluttered the crosswalk, and passing cars obliterated some of my favorite shadows. After a half hour of shooting, this image was as close as I would come to imprinting the spirits of the past upon the present structure. The people themselves are well out of the frame, but the low angle of the sun here has etched a vanishing body into the recessed portal – all we can see are his legs and part of his body. Another person, walking just in front of him, and wearing a wide brimmed cowboy hat, is dramatically defined on the wall just to the right of the portal. Their abstracted images have been frozen in time here forever, and in their own one-dimensional way, each has become a Ghost of the La Fonda.

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Phil Douglis14-Jun-2006 17:26
As Galina notes, we are chasing shadows here, Jack. As she says, this is where the real and unreal intersect. If that be poetry, I will take it.
Guest 08-Jun-2006 22:24
More poetry!
Phil Douglis13-Oct-2005 23:47
Thank, Galina. Not only is Santa Fe light a marvelous shadow maker, it is also rich in clarity and color. It is at 7,000 feet, and clear as a bell. The low angle of the morning sun here acts as a shadow projector -- and helps me create, as you say, an intersection between reality and fantasy. What a beautiful metaphor you have created for this image. Thank you.
Galina Stepanova13-Oct-2005 18:31
Santa Fe seems a very interesting place to chase shadows. The harsh sun makes silhouette so clear and contrast, that one ready to believe that here is intersection of real and unreal.
The image is great, Phil. Composed that thought so well.
Phil Douglis25-Jul-2005 19:44
Yes, Kal, this image was made about fifteen minutes before I made the shot of the woman crossing the street at
http://www.pbase.com/pnd1/image/46537236 You are right -- it does prove how we can express entirely different ideas from the same spot. This one is purely abstract, and relies heavily on the imagination. The woman crossing the street is a slice of reality, yet also appeals to the imagination, but in a different way. I had a hunch you set the stage and waited for your own "The Dream" image to come together for you as well. Expressive photography takes anticipation, patience, and perserverance. I am happy that you are learning how to reap the benefits that come with "sticking with it."
Kal Khogali25-Jul-2005 12:53
Absolutely brilliant. The simplicity is astounding as is the perseverence. I am learning to stick with it Phil. Working the shot to use the context and whait for the content to provide the expression. That is what I did with the image The Dream herehttp://www.pbase.com/shangheye/image/46638807, didn't take quite as long, but it meant waiting, despite the stares from passers by (in China they stare alot!), and the beating sun. If you want the image you have to work for it. Same location as the image of the old woman walking on the crossing? If yes again you prove how form and content can take the same location and express a different idea.
Phil Douglis23-Jul-2005 21:10
That's what abstracted images, Mo. Hints. The viewer takes it from there.
monique jansen23-Jul-2005 14:18
An excellent example of effectively using light and shadow with just a hint of a human figure.
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