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Phil Douglis | all galleries >> Galleries >> Gallery Eight: Light and shadow shape meaning > Day’s end, Bruges, Belgium, 2005
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12-JUN-2005

Day’s end, Bruges, Belgium, 2005

Light cannot be considered in a vacuum. Many factors combine as light brings character and meaning to a photograph. We work simultaneously with light and its counterpart, shadow, to express ideas. The angle and intensity of the light is critical – it determines how those shadows fall, and also affects the color of the light as well. We can build meaning with those colors. We can also take advantage of reflected light, as it paints our subjects in varying colors. Light and shadow also can create mood and atmosphere. It abstracts and reveals, passes through some of our subjects and bounces off of others. This image, made at sunset, offers examples of some of these factors at work. Light and shadow in sharp contrast create the focal point of this image, the group of brownish red buildings, which appear almost three-dimensional because of this lighting. due to the lowering sun coming in strongly from the right to illuminate them. The buildings in the foreground fall into shadow, becoming a massive anchor and bringing a sense of stability to the image. The low angle of the light is warm, bringing rich color and a spiritual glow to this photograph. The color speaks of time and age, very much a part of the character of Bruge itself. The turreted church spire is also defined dimensionally by light and shadow. The delicate hue of the pale blue sky is created by light as well. This image will lodge in the imagination, not because of the content itself, but because of what the interplay of light and shadow does to that content. It reveals the essence of Old Bruges – timeless, spiritual, historical, beautiful and memorable.

Panasonic Lumix DMC-FZ20
1/500s f/5.6 at 52.1mm iso80 full exif

other sizes: small medium large original auto
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Phil Douglis18-Jul-2005 21:01
Thanks, Jim, for the comment. I am sorry this image puzzles you. It is probably because it may differ from your own expectations and the standards you bring to your own photography. What you see as "fuzzyness" is the soft focus effect of the FZ-20's lens in this light. It is an abstract image, and some of it is not as sharp as other parts are. I am interpreting the interplay of light and shadow here, as opposed to describing a scene in fine detail. If it is fine detail you are looking for, you are looking for another kind of image altogether. As for my technique, I place content and meaning above form. I allow the FZ-20's "Program" exposure mode to set the aperture and shutter speed for me, while I concentrate on what I am trying to express. I then look at the image and if I am satisfied with it, I don't concern myself with any of the technical details. They are all posted here for you anyway -- 1/500th of second at about 300mm at ISO 80. I intensified the color in Photoshop. I don't know what the "fringing" you mentioned concerns -- that usually means that there must be a very subtle halo effect somewhere here that you can see, but I do not. If I can't see it, then most of my viewers won't either. I don't look for things like that. Fringing, like noise and other chromatic aberrations, only concern me if they get in the way of meaning. And in this case, they do not.
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