By backlighting this windmill and the two people visiting it, I abstract this image, removing all detail, and leaving only silhouetted shapes, the color of the evening sky, and the glowing translucent leaves overhead. Yet I still am able to define the body language of the people – their spacing, posture, and attitudes are clearly evident. I also use my frame to abstract the windmill, showing only part of one sail peeking out from behind a tree, and only part of the lower half of the mill itself. The rest of the scene is left to the imagination of the viewer.