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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Four: The Workplace -- essence of a culture > Net Throw, Khong Island, Laos, 2005
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29-JAN-2005

Net Throw, Khong Island, Laos, 2005

The art of casting a fishing net from a dugout canoe is an ancient and difficult skill. I must have photographed dozens of such casts on the Mekong during our visit to Laos, but this was the golden moment in light, time, and space that best tells the story. The Mekong itself is one of the most important work places in Southeast Asia. Boatmen, fishermen, and farmers ply their trade on its waters and along its sandy banks from China to Vietnam. This particular image is an apt symbol for all of them. Much of what is done here requires skill and hard work. To hurl a net to the right spot at the right time and come home with dinner is very important to these people.

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Phil Douglis11-Apr-2007 00:28
I know how you meant your comment, Ken, and I am delighted that this image expresses itself well. We agree -- it has earned the discussion it has received here. Thank you for coming to it and enjoying it.
Ken Zaret10-Apr-2007 22:31
Touche! I wasn't trying to critique, more a lament that I couldn't get beyond how the image captivated me, and that would make it more worthy than ever of analysis. Beautiful shot, to be clear..!
Phil Douglis09-Apr-2007 21:59
Some images are meant to be enjoyed, Ken. This is one of those. As for analysis, this is a teaching site, so how other may see the image can be of equal value.
Ken Zaret09-Apr-2007 20:56
i am spending more time enjoying this image than analyzing it!
Phil Douglis04-Mar-2007 20:42
Thanks, Yi Li, for your comment. This image has drawn over two thousand hits in the 14 months it has been on line -- so it must have a very basic appeal. It is simple, abstract, catches a significant moment in time, and says something about survival. The light I was granted is compelling. I am going back to the Mekong, this time in Vietnam, in January of 2008. I don't know if I will ever find this kind of action in this kind of light again, but one can always hope.
Guest 04-Mar-2007 17:51
Phil, this is a stunning picture - among the very best I've seen on PBase. It captures action in an abstract and yet tranquil background. I can almost feel how life along Mekong is like... Thanks for sharing.
Phil Douglis16-Jan-2007 20:36
Thanks, thechebb, for appreciating how many layers of meaning can live within what appears to be a very simple image. An expressive image can ask questions and demand answers from the viewer and in the process, activate the intellect, the emotions, and of course, the imagination. Thank you for seeing that in this and the other images in these galleries.
thechebb16-Jan-2007 09:37
Phil, I've noticed that in several if not all of your images there is just so much to what at first seems just like a "simple" photo. So many questions come to mind with so many possible answers engaging the viewer on so many levels....it's just simply brilliant. Thank you for sharing your knowledge and photos with us....
Phil Douglis12-Nov-2006 19:38
Same time of day, Theodore. Same sense of peace, well being, and satisfaction. Thank for enjoying this image, and for sharing you own with me.
Guest 12-Nov-2006 13:22
Perfect. Reminds me of the picture i took of two boys by the Mekong in Vientiane.http://www.pbase.com/theodorelee/image/48337449
Phil Douglis16-Sep-2006 21:46
Thanks, caveman lee, for saluting the catch here. Which one do you mean--the picture or the fish?
caveman_lee16-Sep-2006 13:38
Very nice and impressive. Love the tone and lighting. Nice catch. GMV
Phil Douglis08-Jul-2006 01:32
Yes, Armin, they did come home with dinner. The Mekong is full of fish, but the net must catch the right spot in order to snare them.
arminb08-Jul-2006 00:08
I think, everything is said already...so I can only add my admiration :o)
and I hope they were successful to come home with dinner!
Phil Douglis01-Mar-2006 07:05
Thanks so much, Xin, for coming to this image and leaving these thoughts and a good question. I agree with all of your observations. As for incongruity, I believe that the very act of abstracting these people has made them somewhat incongruous and even more humane. It is the integration of abstraction, incongruity and an expression of human values that gives an image its power to affect the minds, imaginations, and intellects of its viewers. If any one of those expressive forces were missing here, the image would only have its aesthetic strengths. Aesthetic form is important -- it does bring harmony, coherence, and connection to this image as you say. It can also ignite the "wisdom and love" you feel here. But using aesthetics for their own sake does not lead to substantive meaning. And that is what I was after here. For an image to have such substance, you need to also integrate abstraction, incongruity, and human values. At least that is how I define expression. Thanks for asking this important question, Xin, and for appreciating the value of this image as expression.
Sheena Xin Liu01-Mar-2006 06:05
I am moved by this picture, Phil. It is so smooth, gentle, peaceful and simple.
The golden color brings me the feeling of warmth and harmony. My question is, Phil, do we really *always* need incongruity to trigger the profound feeling? Will the coherence, connection and harmony also ignite the wisdom and love?
Phil Douglis20-Dec-2005 23:27
Glad you like it, Rona. I welcome your comments and any questions you might have about expressive travel photography.
Lu20-Dec-2005 15:41
A stunning photo!
Phil Douglis24-Nov-2005 05:15
Thanks, Diana. Both the fisherman and the photographer are working very hard here. The fisherman had to toss that net again and again in the hopes of finding a dinner. And I had to photograph him doing it again and again, in the hopes of finding the moment that best told the story.
Guest 24-Nov-2005 03:36
Oh my god, absolutely awesome. Everything works in this image. You got it all. Congratulations, my friend. Incredible.
Guest 02-Oct-2005 14:36
amazing, beautiful shot! vote
Graham Tomlin05-Sep-2005 07:08
good picture
Phil Douglis17-Aug-2005 23:41
You bring an entirely fresh perspective to the interpretation of this image, Lisbeth. I like your metaphor of that tough reality (survival) lurking below the golden surface of this moment. And I also am intrigued by your comment regarding the fine line between the passion of the pursuit and the pain that comes with failure. As Argentina's Marisa Taddia points out in so many of her comments in these galleries, life can usually be defined in terms of opposites and contradictions (I devote a recent gallery to that concept athttp://www.pbase.com/pnd1/opposites ), which often merge into what she calls "unities." You, too, see this image in terms of opposites and contradictions, and I now see a symbol unity implied here as well -- through what you call the "counterbalancing" of this boat.
Lisbeth Landstrøm17-Aug-2005 23:04
I really like this confirming photo. I read many of the comments as a suggestion that the expression of this photo is emphasised by the contrast between the two appearing realities; There is the "tough" reality - just beneath the golden surface - being the necessity for the men to catch fish to feed themselves and their family - and the risk of failing. Then there is the reality of pleasure; the passion for fishing - appearing even more forceful because it springs from the necesity and danger of failing. The passion is told through the throw of the net from the tip of the slim canoe - that looks as if it barely touches the water - and it all seems to imply total reliance on the counterbalance from the little steerman...
Phil Douglis16-Aug-2005 02:10
There is no better way to prove the worth of these words, Kal, than your image at:http://www.pbase.com/shangheye/image/47656645 . Someone more wise than you or I once said "as ye sow, ye shall reap." This is why expressive images are "made," not "taken."
Kal Khogali16-Aug-2005 01:00
Good point Phil, even the right place and waiting for the right time is by design. I put myself in more situations now for the opportunity of a great photograph to arise. I walk down back streets in a town, off the main path up a track, I go out at night, in the floods of a typhoon, all of these are places and things I did not do before.
Phil Douglis15-Aug-2005 23:43
What you say, Kal, is very true. However, how did master photographers such as Henri Cartier-Bresson, who shot life as it happened, always seem to be in that right place at the right time you mention? The answer is obvious. Experience. Anticipation based on that experience. And good reflexes. The decisive moment may or not be captured. But as HCB once said, there "are no maybes" in photography. You either get the shot or you don't, and if you don't, you move on to the next one.
Kal Khogali15-Aug-2005 23:11
I am starting to believe that the only thing lucky about photography is being in the right place at the right time. How lucky is that? Not much if you don't recognise the moment, can't react and grab that camera, compose, focus and shoot, all in a split second to record that once in a lifetime moment. I have learned to plan and work on my picture taking, thanks to Phil's teaching, and I feel transformed, but occaisionally no planning is possible. The difference between the "lucky" photographer, and the one who misses the instant moment you describe is the one who "sees" the decisive moment. So Anna, I don't even think that split second shot is lucky, because you saw it and you took it...many others would not.
Anna Yu14-Aug-2005 06:06
Yes, luck has a very small role in it. Once in a blue moon I might get a split second chance to get a great shot and that's when luck comes in. But 99.9% of the other times it's just patience, repetition and some mental work too.
Phil Douglis13-Aug-2005 22:49
Thanks, Anna, for acknowledging the work that goes into an image like this. Some people think this was a lucky shot. Luck is the residue of design, as they say. I kind of made my own luck here by spending a good two weeks on it -- I photographed guys tossing nets from every angle and I used all kinds of shutter speeds and timing approaches all up and down the Mekong River, with little success. But I learned from each and every shot, so by the time we were winding down the Mekong portion of trip here on Khong Island, I knew exactly what to expect and how to deal with it. I took more than twenty images of this fisherman, and put all that I had learned into them. This is the one that does everything I hoped to be able to do.
Anna Yu13-Aug-2005 21:41
In spite of the simplicity of the composition, I suspect that it must have taken a lot of patience on the part of the photographer to get all the elements in place. The simple ones are always the most difficult to catch. The honest hard work of the fisherman reflected in the same hard work by the photographer.
Phil Douglis12-Aug-2005 05:42
Yes, Anna. Surreal is a good word for this image. Turning a muddy river into a golden lake goes well beyond reality, doesn't it. Yet that is what has happened here.
Anna Yu12-Aug-2005 05:07
Very effective use of empty space and the warm glow gives the picture another dimension. Surreal, as you would say.
Phil Douglis11-Aug-2005 17:23
Thank you Lisa for adding this comment to this image. I appreciate your mention of "everything it needs and nothing more" because it is really the simplicity and abstraction of this image that that brings meaning to an every day event. This image could have just as well been in my abstraction gallery, or my gallery on time, or even my color gallery. But it is here, because it celebrates the essence of the workplace -- a man and his task, forever linked in a moment of golden time.
Guest 11-Aug-2005 13:49
This is amazing. It says everything it needs to and nothing more. This is the kind of image we shoot for a few thousand times and feel lucky when we catch it. Econony and elegance of vision giving meaning to the everyday. Very inspiring.
Phil Douglis11-Aug-2005 03:39
Thank you, Cristina. When you leave comments such as this, you help me understand your photographic sensibilities, and you give me a better picture of who you are. (Of all the images in this cyberbook, this is also the one that my own daughter, who is about your age, selected as her favorite.) I look forward to hearing from you again shortly and continuing to help you.
Cristina 11-Aug-2005 02:03
I liked very much this photo. Soon I will write to you.
Wishes. Cristina.
Guest 03-Aug-2005 20:27
Great Shot! Great Timing!
Phil Douglis31-Jul-2005 00:24
You are right, Mark It is about light -- a few minutes earlier or later, and this would be only a picture of a fisherman. But at this instant, it became a lot more than that for me.
Phil Douglis30-Jul-2005 23:56
Thanks, Yannan, for your comment. It was a lovely moment. And yes, Mark, it is all about light. A few minutes earlier or later and its just another fisherman throwing a net.
Mark Holmes30-Jul-2005 22:53
Very nice - the composition, the shadows in the water, the colors. It's always about the "light", isn't it?
YNW02-Jul-2005 03:49
Phil, this one is so awesome!!!! Very very very beautiful!!!!
Phil Douglis05-May-2005 00:27
Thank you, Scott, for this observation. I never thought of it as a father and son duo, but you are right, it certainly could be. Actually, the guy up front was a teenager, so I think the kid in back was either his brother or other relative. Thanks for emphasizing the less is more principle at work here, too. The image leaves much to the imagination of the viewer.
scott 04-May-2005 06:25
This is definitely my favorite image in this gallery. There's a father and son interaction and coordination implicit in the picture. There's also a lot of movement and dynamism in the shot (the water ripples and the net). I think this photograph also epitomizes your "less is more" principle.
Phil Douglis18-Mar-2005 22:03
Thanks, Bruce, for this comment. You are right -- this is a wonderful moment frozen in time. It could have just as well be featured in my gallery on "Time." But I thought it was among the most striking workplace images I made on this trip, and as such, it is at the core of this particular gallery.
Guest 18-Mar-2005 20:35
Fantastic, absolutely beautiful. You captured such a perfect moment - with the net gracefully outstretched. The two fishermen exist on their own, a perfect tableau.
Guest 10-Mar-2005 03:51
excellent shot!~
Phil Douglis04-Mar-2005 19:10
Thank you, Marek, for pointing out the role of the reflections in this image. I never really studied those reflections until you mentioned them. The net he casts in life is also cast within the water itself as a rippling gray mass, all the better to embrace the fish below. Reflections are abstractions. And so, too, are the backlit figures themselves. You are right -- because they are both abstractions, they function more as symbols than as representations of reality, and make this the iconic shot you say it is. I also was fascinated by your observation regarding the slow transition of shade as it flows across the surface of the water. It is very subtle, but there.
Guest 04-Mar-2005 16:43
I'm not surprised by the number of comments here because this is a beautiful and iconic shot. I particularly love how the solidity of the boat and figures, and the movement of the net are both reflected and made abstract, and somehow the same... Moreover, knowing that these almost monochromatic colours are real adds to the serene beauty of this shot. I find the slow transition of shade across the water particularly satisfying.
Phil Douglis03-Mar-2005 00:38
Time does take center stage here, Mo. It took many tries on many nets on many days to get this moment, too. It probably took me longer to catch this moment as it takes a Mekong fisherman to catch a fish. And yes, the image is meant to symbolize a larger subject -- all whose lives depend on working this river.
monique jansen02-Mar-2005 12:28
Another timeless - or should I say timely - capture of the Mekong and its people. You got the moment here Phil! Perfect and a classic image.
Phil Douglis01-Mar-2005 19:44
I knew you would feel strongly about this one, Celia, because it embodies some of the same qualities you have brought to your own art. Yes, I was able, after so many frustrating attempts along the Mekong, to capture the moment of truth, more or less, in terms of casting a net. And yes, the the abstract backlight works to simplify and symbolize, too. But you said something here that means a lot more to me. You said "the simple colors add a sense of quiet dignity to this very act of their daily survival." In terms of this gallery, the workplace, dignity must be regarded as an essential human value. There is dignity in honest hard work. The financial rewards may be small, but the worker can live with that, knowing that he or she has done her best. Dignity is pride, self-respect, worthy of esteem. If you can see dignity in this image, Celia, it means more to me than the perfect net-throw, and the powerful abstraction. And it should mean more to the viewer as well. Thank you.
Cecilia Lim01-Mar-2005 15:40
I love the simplicity and symbolic expression of daily life in the Mekong River that you've photographed here. Although the colours are kept to two basic hues and there are only two things in your photograph, namely the river and the fishermen, this image comes to life because of the movement and energy you've captured just before the cast net lands into the water. You've added anticipation and tension to an otherwise still, calm picture, yet the simple colours add a sense of quiet dignity to this very act of their daily survival. Beautiful photo Phil!
Phil Douglis28-Feb-2005 03:48
Thanks, Dandan. Love your comment. I worked for two weeks to get this shot and never got what I wanted until the end of the Laos portion of the trip. It is one of those essence shots -- the Mekong in a vivid and memorable moment.
Guest 27-Feb-2005 14:45
Love the golden light, love the moment you caught, love the atmosphere, love the refection, love the composition, love the simple life, just love everything about it!
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