You can readily see how quickly the piles of fishing nets decrease in size as you move from the solidly anchored foreground layer into the middle layer of this image, which features two steps and smaller stacks of nets. That’s because I placed my 24mm lens so close to these nets that it was almost touching them. I knew this close vantage point would create a massive foreground anchor on the left hand side of the picture. The first two layers provide context to the man in the background layer, who becomes the subject of this picture. His rather tentative attitude, and the delicate net he is working on, expresses the point of this picture.