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Phil Douglis | all galleries >> Galleries >> Gallery Nineteen: Conveying a Sense of Place – A Town of Ghosts, Frozen in Time > The Last Great Ghost Town, Bodie, California, 2004
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17-OCT-2004

The Last Great Ghost Town, Bodie, California, 2004

Bodie, a genuine California gold-mining ghost town a few miles from the Nevada border, was once a booming, brawling, blasphemous town of 10,000 – a “sea of sin, lashed by the tempests of lust and passion.” I want you to first see where it is – a cluster of brown structures adrift on a landscape so barren it defies description. A city of ghosts afloat no longer in a sea of sin, but on a sea of sage. To express a sense of place, I emphasize the sage and de-emphasize the town itself in this shot. A dusty trail (so dangerous that I sprained my ankle on it a few moments before making this image) leads us straight in to a church – the most lofty structure in this most villainous of towns.

Panasonic Lumix DMC-FZ20
1/800s f/4.0 at 11.0mm iso80 full exif

other sizes: small medium large original auto
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Guest 13-Jul-2021 23:30
I feel that this image shows how non-affluent Bodie is. The dirt pathway represents how desiccate it is. It seems that this was a ruthless town.
Phil Douglis18-Jul-2005 17:25
Thanks for this wonderful comment, Christine. You are the first to pick up the shadows on the path as symbolic ghosts -- lined up to haunt those who dare run that gauntlet. You have an incredible eye for detail!
Guest 14-Jul-2005 02:32
Mr. Douglis,
This is a great picture to start this gallery with. It is almost welcoming the spectator to enter into this mysterious town. The shadows on the path give us a sense of the ghosts awaiting the one brave enough to venture further.
Christine
Phil Douglis27-Feb-2005 05:48
I think it is unfair to evaluate the expressive quality of this image without considering its context, Zandra. The Bodie Gallery is not a gallery of individual images, as most pbase galleries are. It is a gallery of connected images, a photo essay on sense of place. The job of this picture was to set the stage, give a flavor, an overview, a feeling for Bodie out in the middle of God Forsaken Nowhere. In that respect, I feel it does all you can ask it to do. There is scale incongruity at work, stressing its isolation. As I said, it is a "cluster of brown structures adrift on a landscape so barren it defies description. A city of ghosts afloat no longer in a sea of sin, but on a sea of sage." That is what this image says to me, at least. And in doing so, it gives us a context in which to place all of the images that follow in the essay. I am sorry it does not trigger your imagination on its own -- if there had been any sign of life in that picture, a horseman, an old car, a carriage, it would destroyed its sense of utter isolation. You imply that there are no human values expressed in this image. I disagree. Humans once lived in this terrible place. Trapped for better or for worse in a land that gave no quarter and took no prisoners. This is a human landscape, Zandra, that sets the stage for all that follows. Look at it again from that standpoint, and I am sure you will appreciate its merits.
Guest 21-Feb-2005 18:15
This i find to be the weeker shot in this gallery as it does not leave much room for imagination. It is a picture of a ghost town but does not give away much of the towns charachter. I think i miss the human element in this shot, to trigger my imagination. I wonder what it would trigger if there had been a horse carrige seen from behind, going to the town...or maybe the wreek of an old car by the side of the road. Something that gave away the presence of people having lived, laughted and cried ther...casue after all, it is the people that makes the cities that we live in...and used to live in as well.

Of course, the reasonf for this intepritation, or lack of intepritation, has to do with my own experiences. I have not grown up with the "wild west" as part of my history and so this does not trigger the same things on me. I must take my knowledge of American history in to account when looking at this image, and then is when i start to see the life that once flurished in this time. Then i notice that what i see are my own klichés about the American Wild West, as potraied in the movies. Gun men and gold diggers, Billy the Kid and Kuster and Wild Bill and Butch Cassidy and...Given time i can see a movie playing before my eyes.

So, it is not an image that imidiatly triggers my imagination but when it does it makes me see the American history played out before me...or atleast part of it. In other words, success again Phil, as i belive stoppingtime is a way of taking a small pieace of history and hand that to the viewer to see.
Phil Douglis13-Nov-2004 03:31
I forgot to mention one other important point regarding sharpness. When viewing my images at their "original" size, you will find that all of my images will appear slightly sharper and clearer than they do at their "large" size. It must have something to do with the way pbase displays our images.
Phil Douglis29-Oct-2004 21:42
You have read my picture well, Peter, and I thank you for this comment. Each person sees what lies down this path quite differently. You seek gold and dream of a better life, while Lisa seeks mysteries to unravel, and Marek feels a bit of fear as he begins his walk. As for me, I sprained my ankle right here, and am still hobbling around. I use this image to help define Bodie as I saw it -- a place adrift, as I say, on a sea of sage. All of these different ideas are neither right nor wrong. They are simply personal interpretations, created as much by the personalities and experiences of each viewer, as by my image itself. My picture is intended to function as a catalyst to thought. Each viewer will see whatever they want to see in this image, and each viewer will eventually come away with their own impressions of what kind of place Bodie once was, and now is.
Guest 29-Oct-2004 16:47
Phil, sense of place is shown quite beautifully in this image. The path is leading us into a gold mining town, and I, as a person coming to this town, see gold everywhere, fields of gold, gold in the air, golden grass, I am fullfilled with hope that my dreams will come through, the dreams are now within my reach.
Peter
Phil Douglis28-Oct-2004 20:50
As Lisa said, Marek, she feels as if she is approaching a mystery here. You feel that something bad may happen, because of my emphasis on light and shadow. You both are right. Bodie is a mysterious place, and was a terribly bad place as well.
Phil Douglis28-Oct-2004 18:36
Lisa, I love your observation about approaching a mystery. So much of Bodie is mysterious, and if this trail leads us to investigate the its mysteries, this picture does its job well.
Guest 28-Oct-2004 16:59
Here, the harsh shadows really work to emphasise the town's shape. It's like a start of a horror film, one feels something bad is going to happen...
Guest 28-Oct-2004 13:59
Very evocative. Both the use of light and the leading line into the town really convey a sense of approaching a mystery.
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