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Phil Douglis | all galleries >> Galleries >> Gallery Eighteen: Light and Landscape – combining personal vision with nature’s gifts > Merced Reflection, Yosemite National Park, California, 2004
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15-OCT-2004

Merced Reflection, Yosemite National Park, California, 2004

Another view of Yosemite appears within the Merced itself. Ancient rocks from the glacial period still cover its bed, and the towering granite cliffs that line its sides reflect upon its surface. When we work with reflections, we are essentially photographing the effect of light and shadow on the surface of the water. In this case, I chose a surface that was already filled with rocks. I wanted to incongruously merge them with rocks of a much different color, size, and texture. It took many shots and many camera positions to find a place where the sky, the cliffs and the river rocks could merge successfully. I also had to find a spot where the river rocks themselves were in indirect light. If they had been in the sun, the effect would have been chaotic. The angle of the light falling on the rocks had to give dimension and shape to them as well. I have tried to produce a mini-landscape here that expresses the origin and nature of both the Merced River and the enormous cliffs that flank it.

Panasonic Lumix DMC-FZ20
1/160s f/3.7 at 20.5mm iso80 full exif

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Phil Douglis05-May-2005 00:49
Thanks, Mark. Glad you are enjoying my galleries. If I rotate this image, the cliffs become conventionally oriented, and the image would be top heavy with all of those stones falling down from the top of the frame. As oriented here, the image is anchored by the bed of rocks, and the reflected cliffs lead our eye down to them.
Mark Koeppen04-May-2005 18:16
Incredible galleries throughout Phil. One of my favs. Regarding this image, how would it look to invert or rotate the image 180 ?
Phil Douglis01-Nov-2004 04:04
Thank you, Arturo. This shot has drawn a lot of comment during the first week it has been up. I think the reason rests in the fact that we are looking both reality (the stones) and the fantasy of Yosemite (the reflected cliffs) at the same time.
Guest 01-Nov-2004 02:52
This photo is simply great, excellent reflection.
Phil Douglis29-Oct-2004 21:07
The great thing about digital photography, Ray, is that exposure is no longer the critical game it used to be back when I still shot slides. I now use a spot meter in the digital camera for every shot. I can look at my LCD screen instantly and know if I succeeded or if I must meter on something else. And when I bring up image up on my laptop when I edit it, I can adjust my exposure in any way I want to, by using the Levels, Curves and Shadow/Highlight options in Photoshop. This particular image lent itself to perfect exposure from the beginning, since the river was in the shade, and the light falling on it was indirect and evenly distributed. My main concern was holding the detail in the reflected cliffs, so that is what I exposed on with my spot meter.
Guest 29-Oct-2004 16:05
Beautiful. Perfect exposure.
Phil Douglis29-Oct-2004 05:28
Thanks, Carol, for this observation. Sometimes good ideas turn out to be very simple, don't they.
Carol E Sandgren29-Oct-2004 05:12
Ah, the grandeur of the cliffs reduced to a mere reflection in a puddle! It works so well...relying on the stones to remind us we are looking into a pool of water. Wonderful!
Phil Douglis29-Oct-2004 03:21
Thanks Bruce for enjoying this image and sharing your impressions with me. This picture a study in implication. The appearance and scale of the cliffs are implied. The reasons for the rocks, cliffs and rivers existence is implied. So much is left to the imagination of the viewer. As for Geographic, I'll pass. They still shoot slides!
Guest 29-Oct-2004 02:04
This is SUPERB! The "subject" cliffs are so frequently photographed that they are almost a cliche, but you found a way to present them in a whole new light (PI) and a different angle. It reminds me, of course, of the famous photo of... is it the Chrysler Building or the Empire State Building... reflected in a puddle in a NYC gutter. I think your exposure is perfect - the stones would be so much less interesting as dark blobs and this way they give context and layers to your subject and image.

National Geographic should be calling any second now. Hold out for the big bucks. :)
Phil Douglis28-Oct-2004 21:13
I thank you, my toughest critic, for this favorable review. It is one of my favorite images and I would have fought you long and hard had you come down on it as a failure. Your words illuminate my ideas brilliantly. This image, is, as you say, based on the incongruity between what's real and what's not. And you are right about the degree of abstraction here as well. I do not "give everything away" by showing you the mountains themselves. I use reflection alone for context, and I then let your imagination take over, stimulating you to wonder about the beauty and size of those cliffs that line the river. My juxtaposition of river rock and mountain rock does indeed talk about the origins of the river and how mountains can wind up as pebbles at the base of the river that is all that is left of the great glaciers that once sliced through this valley. This image is all about the process of nature, a process that eventually led to human life and the human values we share. It is both incongruous and abstract as well. In other words, it has everything I think a picture should have to express ideas. I thank you, as always, Celia, for telling us why in your own eloquent way.
Phil Douglis28-Oct-2004 20:46
I've worked both sides of that street, Marek. As a photojournalist or street photographer, you really can't think. You must act. Spontaneously, instinctively, and decisively. And often no retakes, either. As a landscape photographer, however, you have much more time to patiently think things out, and try different approaches, unless, of course, the light is changing by the second. As a teacher and expressive travel photographer, I enjoy both avenues of approach. I love shooting "postvisualized" images in terms of capturing the moment, and I enjoy carefully working on "previsualized" images, step by step. It is hard enough to try to emulate either Henri Cartier Bresson or Galen Rowell, let alone try to emulate them both. But that's what makes expressive photography so challenging for me. To give it my best, no matter which side of the street I happen to be shooting on.
Cecilia Lim 28-Oct-2004 17:59
I love this image to death! It's so engaging because of all the incongruities here between what's real and what's not, and the different textures of rocks in contrast to the smooth, glazed surface of the water. The reflection itself is an incongruity because it is smooth but it expresses the hard, craggy surface of the cliff. The composition is also perfect - although the upside down reflection of the mountain is top heavy, it is balanced by the equal proportion of the darker grey rocks in the foreground that anchor the image down. But what I love most is the interplay between reality (the rocks) and the projected image (the reflection of the rocky mountains). You did not literally show us where the mountains are relative to the river but you've implied it by using the reflection as context. I think that's a great thing because by not giving everything away, you give us room to wonder and marvel at the size of what looms over the river rocks. You've also created a poignant point about the origins of the river rocks by bringing the image of the mountain and the broken rocks together. By superimposing the reflection and the rocks together, you imply that they share a mutual history and that the small broken rocks of the Merced once came from these majestic mountains of rock. This image is a wonderful story about the awesome power of nature - how a huge solid mountain of rock can be reduced to small pebbles, and also shows us the underlying message of how things in the circle of life are all interlinked with one another, no matter how different they appear now. This is a wonderful tribute to and acknowedgement of the wonders of mother nature. And this my friend, is why it has earned its place as one of my favourites from this outstanding gallery!
Guest 28-Oct-2004 16:51
Your commentary reminds us how dilligence and perseverance pay off in landscape photography. What we gain by not having to deal with split-second decisions, we must capitalise on with experimentation and patience. For all the reasons you describe, you clinched it, and the result is more than the sum of the steps you took (another P.I. ;-)
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