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Phil Douglis | all galleries >> Galleries >> Gallery Fifteen: Making travel portraits that define personality and character. > Tibetan Monk, Lhasa, Tibet, 2004
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26-JUN-2004

Tibetan Monk, Lhasa, Tibet, 2004

This monk was sitting outside of the Jokhang Temple, the holiest Buddhist temple in Tibet, watching pilgrims at prayer. I wanted to do more than just photograph him – I hoped to express an aspect of his character essential to his calling. He was sitting on a stool, and remained absolutely still. With one hand on his leg and another tucked under the folds of his robe, he never moved a muscle. This takes self-discipline, a characteristic essential to those in religious orders such as this one. I saw a contrast here as well. His robe is a rich, deep red color. He sits under Buddhist prayer flags that decorate the Jokhang area, which are also very colorful. He is dispassionate, still, thoughtful, focused. Black seems to suit his mood and manner, yet he wears color and sits surrounded by color. An empty stool is by his side. Will he soon be joined in contemplation? This is one of those portraits that asks as many questions as it gives answers. A good start for a photograph intended to characterize a monk.

Leica Digilux 2
1/400s f/5.6 at 22.5mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis30-Nov-2004 20:40
You are right, Filip -- the light was very harsh indeed. This is the worst time of day to shoot -- high noon on a sunny day in one of the highest, and brightest, cities on earth. But that is when I was there, and that is where this Monk had positioned himself, so I made the best of what I had. I used my spotmeter on the face, yet the white prayer flag is still a bit blown out.

As for the empty chair, as I said in my explanation, I thought it symbolized the imminent arrival of another monk who might join him in contemplation.
Guest 22-Nov-2004 08:39
I want to like this image (monks are my fave subjects as well) but there are a few things that bother me. The light is quite harsh evident by the blown out white prayer flag right behind the monk (which in turn makes it hard for me to fully focus on the subject himself), but this is something that you might not have had control over. Second, the empty chair is a bit of a distraction, but on the other hand makes you wonder: might be that the monk is waiting for someone and looking at them once they finally appear. Anyway, for me it is a bit distracting. All in all a shot that I would take, but maybe under better conditions and without the chair.
Phil Douglis31-Oct-2004 20:09
Thanks for the nice comment on this shot, Maureen, I am glad you got so much out of it. As for my reference to black, I was implying that we would normally expect to see a religious figure in a serious mood wearing a "serious" color, such as black. Many who follow religious callings wear black, a color associated with serious work and thought. Yet Buddhists never wear black. The wear vivid, rich, celebratory colors, and use them in the practice of their religion. That is part of the incongruity I built this picture around.
Guest 31-Oct-2004 18:17
This is a great shot, but I don't see how black would better suit him. I don't see him as somber, but as thought-ful and thought-filled. Very regal looking to me, so the scarlet robe suits him well.
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