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Phil Douglis | all galleries >> Galleries >> Gallery Fourteen: Expressing the meaning of buildings and structures > The Great Wall, Jin Shanling, China, 2004
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18-JUN-2004

The Great Wall, Jin Shanling, China, 2004

The Great Wall sprawls across Northern China, spanning 2,400 miles from the sea into Gansu Province. Most of the wall was built during the 16th century to keep Nomads and Mongols out of China. Its fortified towers, signal beacon towers, and garrisons, along with its roadway wide enough for five or six horsemen, proved to be only as good as those defending it. Today it survives in ruin and reconstruction. We visited this semi-restored section at Jin Shanling, about 70 miles north of Beijing. Because of its remoteness, this part draws relatively few tourists My objective was not merely to once again describe the wall – it is one of the most photographed structures on earth. Instead I wanted to say something about its size, and about the reactions of those who come from all over the world to view it. I found a high position that gave me a good vantage point over the wall, and using the 28mm wideangle end of the Leica's zoom lens, I was able to stretch the shot to embrace six watchtowers as the wall snaked its way across the landscape. I brought these towers up to just under the top edge of the picture – this picture is no about the hazy sky, so why include it? I noticed four visitors plodding along the wall’s walkway below me. Two of them kept on going, but two others stopped right in front of me. One buried her head in the slot in the wall once used for a defensive position. While she dreamed of ancient archers, her patient friend crossed her legs, placed a limp arm on the wall, and hid behind her purple umbrella. Through this physical interplay, which dominates the lower half of the image, I tell the story of how at least two visitors came to grips with up and down history of the Great Wall of China.

Leica Digilux 2
1/250s f/5.6 at 8.5mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis22-Jul-2004 00:15
You are right, Wendy -- the Great Wall of China is one of its most popular tourist attractions, and crowds of tourists can often make meaningful travel photography more difficult. As you know, the Great Wall sprawls across China for thousands of miles and we were fortunate that Overseas Adventure Travel decided to take us to Shanling, a fairly remote section of the wall 70 miles outside of Beijing, to avoid the tourist crowds that frequent the more easy to get to spots. It took us over four hours to get there. We were given a very small bus with poor springs, and the roads were full of potholes. The ride, particularly in the back seat of the bus, what pure torture. But it was worth it -- the Shanling section is roughly restored, and is difficult going. If not for its cable car service, it would have taken an hour of climbing just to get to the wall from the bus. As you can see, the tourists here were far and few between that morning. And that patient lady under the lavender umbrella and her inquisitive friend just happened to come along while I was waiting for my shot. I took many pictures of the Great Wall of China that day, but this is the only shot I made that went beyond a postcard view to also tell a story.
Wendy O21-Jul-2004 23:58
OK, however did you get this shot??? It was so crowded the day I was there! And a lavendar umbrella! You are blessed. http://www.pbase.com/image/8954628
Phil Douglis16-Jul-2004 19:51
Thanks, Tim, for your perceptive summary of my approach to photography. I am by training and experience a communicator. And communicators must tell their stories in human terms if they are to be successful at their craft. Things in themselves do not interest me. It is only when I can relate to human values, to human experience, or human needs, that they come to life for me. All my life, I've waited to photograph the Great Wall of China. And when I finally got there, the story was all about two strangers exploring the ups and downs of China's history upon it. And, yes, as you say, the "near and far" of Chinese history, as well.
Tim May16-Jul-2004 19:21
You are right the people and the way the wall extends into the background do move this image beyond "postcard." I am noticing a motif in this set of images from China. It is the way you take viewers on a journey into your images and the way that journey is either into the future or the past (as in the picture of Shanghai in the morning) This one seems to accomplish the journey through the people. The people in the foreground are at rest. One, almost casual, under an umbrella and the other looking out from the wall. But, midway into the image are two people on the journey. They are moving into the distant future, on further down the wall.
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