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Phil Douglis | all galleries >> Galleries >> Gallery Thirteen: Bringing Fresh Visions to Tired Clichés > Fountain, Balboa Park, San Diego, California, 2004
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16-APR-2004

Fountain, Balboa Park, San Diego, California, 2004

Statues, sculpture and fountains provoke additional cliché photographs. And I’ve certainly shot my share of them over the years. To break free from such cliché approaches, I try to bring meaning to such pictures by expressing the symbolic nature of the statue or sculpture. In this case, I held off shooting this sculpture until mid-day, when the high sun brings strong, high-key contrast in light, as well as deep texture to the stone face. This light would be very bad for human portraits, but it is wonderful for textured stone subjects such as this one. When I felt the light on the subject was strong enough, I moved close to the sculpture to fill the frame and confront the viewer with the intensity of both the lighting contrasts and the powerful texture. I was very careful to frame the subject within the softly focused dark archway in the background, which gives the picture a sense of depth. The result: instead of a static overall image of the statue, which sits in the middle of small fountain, I’ve made an image that demands the attention of the viewer. Its gaze seems relaxed, yet viewed at this intimate distance in such defining light, this face becomes an eternal and enigmatic symbol of survival.

Canon PowerShot G5
1/1250s f/5.0 at 25.1mm full exif

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Phil Douglis24-Feb-2008 03:12
You express in words, Vera, exactly what I wanted this image to do visually. It is a very tactile image -- its textures invite our touch. The interplay of light and shadow gives it dimensionality that implies reality. The artist has made stone human here. It remains for the camera to bring that humanity to life. Thank you for seeing why, Vera.
Guest 24-Feb-2008 01:51
When looking at this photo I forget that I am looking at a statue. My thoughts go to the person this likeness is made off. I think it is the lighting that brings life to the statue. Rather than viewing it as a cold, stone image, I marvel at the bone structure, the strength of the nose and the sensuality of the lips, the downward cast of the eyes. I want to reach out my hand, place it softly against the person's cheek...and say nothing.
Phil Douglis27-Feb-2005 07:07
Thank you, Yanan. Vivid means rich in contrast and or color. The color here is neutral. So it must be the contrast that grabs your imagination.
YNW26-Feb-2005 21:25
This statue is very vivid!!!!!
Phil Douglis14-Nov-2004 20:43
You comment is fascinating, Zebra. How can you see a "betrayer full of ambitions" here, while Jen saw a wonderful thinking mind, and I saw a stoic survivor? The answer is instructive: an expressive image can trigger quite different thoughts in the minds of various viewers. Each of them comes with their own meaning. Nobody is right or wrong. Yet to each viewer, the very same image can tell a different story.
Guest 14-Nov-2004 17:44
On surface this is a man devotional to the force which the building behind symbolize.But in fact,he is a betrayer full of ambitions.You can find it if you pay attention to the faint light on his eyes and one the dark side of face.That is why this image attract me so deeply.
Phil Douglis13-Aug-2004 07:09
What a treat it is for me to get your first response to one of my photos, Jenny. I stand in awe of your own imagery, and to hear such compliments from you to me is an honor. I hope you will add your voice to the dialog that goes on here as often as you can, because you have much to say and you say it well. The first thing that struck me about your comment is your emphasis on the light that strikes the head of the statue. You see that light as more than just a way to bring out the texture of stone. You see the light as playing the defining role in terms of meaning. You say that the light emphasizes the uniqueness of the human mind. I am fascinated by your phrase "always running and always shining," and by your feeling that the shadows on the eyes also symbolize depth of thinking. In other words, Jenny, you see this picture as being all about intellect. Yet my objective was to express the survival of a race threatened with extinction. Can these two meanings exist side by side? Yes they can. Photographs can say different things to different people. That is one of the medium's great strengths. Since reading your comments, I, too, now focus on that dome of light that radiates from the head as a symbol of the power of the human mind. I feel that what you see as the message of my picture is far more evident that my original intended meaning. Please come often, Jenny. You have stirred my thoughts and added a dimension to this image that it did not have before.
Jennifer Zhou13-Aug-2004 05:11
I have a strong feeling about this picture! Everything is perfect here. I may would not notice this statue in the middle of a small fountaion if I was there, and find another outstanding element--the backgrand putting them together. That is how we should MAKE pictures!! Also the bright sunlight on the top of the statue not only bring out the fine texture and detail, it shows what it is that makes human different from other creatures is the powerful mind, always on, always running and always shining. The dark shadow covering his eyes indicates the depth of his thinking..And placing the statue in the middle of this picture makes this it both visually and meaningly more powerful!!
Phil Douglis26-Jul-2004 17:45
Thanks, Anna for your perceptive comment. Backgrounds are just as important as foreground and middleground information in our images. Without this background, I don't make this picture. I saw how the arch in the background framed the statue, creating a black horseshoe effect around the head. I used a telephoto converter lens, and moved in, which gave me that soft background effect. As for the angle of the mid-day sun, I knew how it would look from experience and logic. At mid-day, the sun shines straight down on our subjects, lighting the tops of heads and darkening the faces with shadows. That is terrible light for people pictures, and most landscapes suffer as well because the high angle of the sun tends to flatten things, rather than bring them out in relief. But in the case of this statue, the high angle of the sun created excellent texture in the stone and abstracted the face in deep shadow. You are right -- there is a 3D effect here because the sharpness vs. softness is creating a contrast that gives the illusion of depth.
Anna Yu26-Jul-2004 17:09
The background is great, I'm just beginning to pay more attention to it. How did you know the angle the noon sun would make? The contrast between the beautifully focussed stone and the blurred background gives a 3D look.
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