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Phil Douglis | all galleries >> Galleries >> Gallery Thirteen: Bringing Fresh Visions to Tired Clichés > Campo Santo. Old Town San Diego, California, 2004
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17-APR-2004

Campo Santo. Old Town San Diego, California, 2004

Much of what we see when we travel is historical in nature. We dutifully point our cameras at old buildings, monuments, and cemeteries and make the past into a series of clichés. To bring the past to life, and avoid making a cliché out of it at the same time, I shot an old grave marker resting on its back in a 19th Century cemetery, as a series of shadows marched across it. The shadow, cast by a picket fence that surrounds the grave, represents more than just a nice pattern. To me, it expresses the relentless passage of time itself. The cycle of life repeats itself over and over again, as the lines of the fence and the scattered leaves and blossoms imply. I am not photographing an old gravesite here as much as I am expressing a point of view on the temporary nature of life itself.

Leica Digilux 2
1/250s f/4.8 at 7.0mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis13-Apr-2007 20:02
The eye is an extension of the mind. If we think about what we are trying to say when we shoot, the image generally comes together, as this one did. Thanks, Chris.
Chris Sofopoulos13-Apr-2007 07:46
Yes, but it's very important that you saw it Phil;) A good eye!
Phil Douglis12-Apr-2007 18:25
Thanks, Chris. By placing the tombstone on the bottom of the frame, I've been able to stress the diagonal rhythms of the fence shadows. The image really composed itself.
Chris Sofopoulos12-Apr-2007 10:46
I love the way you composed it!
Alberto Quintal 24-Sep-2005 00:49
Excellent
Phil Douglis21-Jul-2004 18:17
Thanks, Shane, for letting me know how these galleries have been of value to you. This particular image is the product of my vantage point, which is always changing. I never just look at my subject from the conventional perspective. I walk completely around it if I can and shoot it from both the front and back -- but rarely the side view, which is passive and static. I will get down and shoot up to make an image soar, and I'll move over it if I can and shoot down on it, as in this case, to capture the pattern of light on the ground as it marches across the flattened tombstone. As we move our vantage points, the interplay of light and shadow will change, creating opportunities to express different ideas.
Shane Bushman21-Jul-2004 03:49
I also notice it is almost as if the dead and fallen leaves colored with age and experience represent the passing of life, while contrasting with the sprouting green plant life that is emerging out of the shadows anew. Just as the shadow itself symbolizes the cycle of life, death, and rebith so too does the display on the ground. Again, something that certainly doesn't stand out when shooting from a conventional perspective!
Shane Bushman21-Jul-2004 03:45
Phil,

I never get tired of admiring your galleries and certainly learn something new everytime. This image is very exciting because it teaches me to look beyond the subject for the significance of the image. You almost have to close off your peripheral vision to see this type of shot in reality (imagine your eyes are limited in field of view just like the lens) and too many times I lose the image by not doing this. This image will keep me reminded of the hidden significance of light and shadow while I am out shooting from now on!
Phil Douglis27-Apr-2004 21:31
Thanks, Tim. This is one of those pictures that was found, not conceived. I saw the simple stone, and, as you'll remember, we had only a few moment of sunlight to work in. I was thinking pattern and rhythm, light and shadow, stone and fallen blossoms. Later, when we had a chance to discuss this image together, it was apparent that these esthetic factors carried symbolic meaning. I often find the story I am telling emerges from the picture, rather than trying to force a story upon a picture situation.

Phil
Tim May27-Apr-2004 21:13
This is one of my favorites from your recent pictures - I think the reason I like it is because of the complexity of emotion you evoke from such plain, abstract elements - even the gravestone is simply letters and not a name - but this picture contains the entire circle of life - from blooming to death.
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