One of my favourites, mysterious in this set up, powerful costume, masque and pose, Pierrot. Not easily visible or doing harm I noticed with astonishment the graffiti. Big V.
A masterpiece ! Pierrot tries to push back the walls of his prison in this dramatic composition. To stay in the Shakespearean theme we can evoke King Lear.
*VVV*
Setting is perfect illumination splendid costume flattering exposure perfect resolution abundant with nice soft bokeh going back deep into the scene.
Vote
This dimmed, narrow and run-down alley is an excellent choice, where the model can demonstrate the design by touching the heavily damaged walls on both sides, and more importanly, to create a sense of oppression. The distinct contrast between the faded colours and the overwhelming black and white is dynamic. This time Armaldo portrays the sad clown Pierrot after Columbine left him. The exaggerated eyebrows brings out a dimensional feel on the mask, and makes his eyes seem more hollow. There's a famous clown's tear on the cheek, echoed by many more drop-shaped patterns on the ruffled collar. A stunning costume wonderfully displayed by Arnaldo and artisically presented by Alain's lighting and photography skills. The black and white melancholy becomes a longlasting effect of visual art. ~My very best vote~
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