Chihuly began the 'Persians" series in 1986 while experimenting with new forms. Originally, he displayed 'Persians' in pedestal compositions, often with smaller shapes nested in larger pieces. Later, working with an architectural framework, he mounted larger forms to wall and suspended them as overhead compositions. The first 'Persian Ceiling' was presented in his 1992 exhibition opening the new downtown Seattle Art Museum. Lit from above and resting on a flat glass pane, the elements of the 'Persian Ceiling' come together to provide an immersive experience in colour and shape.

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