Following the reconquest, successive kings augmented the buildings but the predominant figure in this part of the Alcázar’s history was the controversial Pedro I, who added, amongst other things, the mighty Palacio de Don Pedro. Pedro employed mainly Moorish and Jewish workers brought from Granada and incorporated huge fragments of buildings from Córdoba, Valencia and the nearby ruined city of Itálica into the constructions. The buildings, and especially the wonderful gardens incorporated into the Palace, were developed all the way to the 19th Century. Indeed, the gardens near the Amohad Wall on the eastern side of the complex are a 20th Century addition. The fascinating thing, however, is that – with this profusion of Mundéjar, Gothic, Renaissance and Baroque styles – the Alcázar has such a wonderful feeling of unity about it.