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Phil Douglis | all galleries >> Galleries >> Gallery Seventy Two: Bringing the museum to life > Mourners and memories, Ronald Reagan Presidential Library and Museum, Simi Valley, California, 2012
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14-AUG-2012

Mourners and memories, Ronald Reagan Presidential Library and Museum, Simi Valley, California, 2012

The final exhibits in this Presidential Library and Museum are titled “Mourning Ronald Reagan” and “Legacy Theatre.” This image combines the essence of both within a single frame. The mourning exhibits include many massive photographs and objects regarding the death of Ronald Reagan. The single most moving photograph in the room was a close up color shot of a weeping Nancy Reagan being consoled by her children as she clutches the flag that had covered the president’s casket. Next to that mural was a glass door, leading to an adjoining theatre that was continuously showing a black and white film on Reagan’s life and accomplishments. Using a slow shutter speed, I was able to blur a few movie frames of a smiling President Reagan floating within the window of the theatre. I link that moving image to the still photograph of the mourning family. Because the film is blurred by movement, the fragment from the motion picture now becomes more nostalgic – the stuff of memories. I also convert the large mourning image, which is actually displayed by the museum in its original color format, to black and white. It makes a better match for the moving image in the adjoining theatre. Instead of contrasting the mourners to the memories, I able to more fully link them together.

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Phil Douglis15-Oct-2012 03:47
Once again, both of us were shooting this scene, side by side. I am anxious to see how you interpreted it.
Tim May13-Oct-2012 22:30
I love the two frame interaction.
Phil Douglis03-Sep-2012 00:04
Thanks, Iris. Your comment inspired me to take a closer look at the filmed image of Reagan at left. I previously thought that I had captured simply a blurred vision of the President in this movie about his life. I now see that I instead caught an instant of overlap in the film that entirely changes perspective. Two frames are superimposed upon each other -- I now see Reagan simultaneously in profile, and also in three quarters view. This superimposition was entirely accidental on my part. I simply wanted a nostalgic counterpoint to the mural showing the mourners. What I got instead, was an otherworldly image of transition.
Iris Maybloom (irislm)02-Sep-2012 00:09
A very dramatic image, Phil, made more so by making it monochromatic.
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