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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Three: Stirring emotions through atmosphere and mood. > Silence, Oatman, Arizona, 2009
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14-APR-2009

Silence, Oatman, Arizona, 2009

The tourists have departed, leaving only a handful of photographers behind to catch the effect of the sunset on the town’s vintage main street. Oatman is a remote gold mining town not far from the spot where Arizona, California, and Nevada come together. All three states knew mining booms and busts over the last 150 years, and Oatman witnessed all of it and more. I evoke the mood of Oatman’s gilded age by photographing its single street in golden light, illuminating the remnants of its now-shuttered 1902 hotel. (It became nationally famous as the honeymoon stop of Clark Gable and Carole Lombard after their wedding in Kingman in 1939.) The clothing shop next door is known as “The Classy Ass,” named, no doubt, in honor of the herd of semi-wild mining burros that still prowl Oatman’s streets. The dark rain cloud hovering over the scene adds powerful color contrast to the vivid primary colors of the buildings.

Leica D-Lux 4
1/1000s f/7.1 at 7.4mm iso80 full exif

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Phil Douglis26-May-2011 21:25
Thanks, Ryan, for enjoying my galleries, and remarking on the colors here. I welcome any traffic you have referred to my site, as well. Thanks, too, for linking this shot to the one on Flickr.com. There are similarities and differences, but each expresses the mood of a time gone by. I have no objection to any link here -- in fact, I welcome links. People can often learn much through such comparisons.
Ryan26-May-2011 04:20
Phil, the colors are great. I've been enjoying your galleries. I've pointed lots of people here as a resource in composition. Really excellent.

I had to come back to this photo tonight. I was out on Flickr and this shot reminded me of yours and I had to come back to look http://www.flickr.com/photos/moppelthecat/4972078372/in/photostream) If it's not alright to have the link here, I understand.

--all the best

Ryan
Phil Douglis23-Apr-2009 19:10
Thanks for enjoying the meaning of color here, Vera. Ernst Haas is one of my heroes. He passed away in 1986, but his pioneering work with expressive color will always be with me. I had a chance to meet him and briefly talk to him at the Miami Conference on Photojournalism back in 1967. He must have made quite an impression on me -- he is always looking over my shoulder as I shoot. You can read a brief bio and some of his favorite quotes athttp://www.photographersgallery.com/artist.asp?id=43 and you can see a nice selection of his imagery (four pages of them) by clicking on the small link below the three "preview images" there. When you click on a thumbnail, you will not only see the image in a larger size, but you will also see gallery pricing for them -- the value of his work continues to escalate more than 20 years after his death.
Guest 22-Apr-2009 23:55
The lighting is magnificent against one "Classy Ass." This would likely win a prize at my photo club LOL. (Inside joke there). And I have another photographer to look up. Ernest Haas.
Phil Douglis21-Apr-2009 23:51
You have me in good company, Rusty. Thank you for the compliment. Ernst Haas is one of my heroes, a pioneer in the use of expressive color imaging. The color here certainly sets the mood and creates the atmosphere.
russellt21-Apr-2009 23:46
I love this lighting effect, with the low angle light, the bright colors, the looming storm clouds going purple or black, and the beautiful exposure of same. it makes me think of ernst haas.
Phil Douglis21-Apr-2009 20:25
Thanks, Tim, for likening Oatman to a movie set. In a way it is -- movies are fictions, created for pleasure and entertainment. And that is how Oatman survives today, as a fiction based on fact, a place that exists entirely for the pleasure (and money) of tourists. I would like to think that whoever laid this town out back in 1900 saw the rugged natural beauty of the landscape in the background and made the main street flow towards it.
Tim May21-Apr-2009 20:10
The lighting and the emptiness suggest a movie set. It is almost as if we can expect Carole and Clark to come strolling down the street. I also like the way the the lines of the image take the eye to butte, the geology that defines the town.
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