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Phil Douglis | all galleries >> Galleries >> Gallery Fifty Nine: Using dramatic light at the fringes of the day > Canada Geese, Tule Lake National Wildlife Refuge, Tule Lake, California, 2008
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14-SEP-2008

Canada Geese, Tule Lake National Wildlife Refuge, Tule Lake, California, 2008

At first, they resemble a stand of reeds in the water, echoing the thrusts of the grass that line the shoreline in the foreground. But look more closely, and those reeds become the necks of geese -- hundreds of them. These migrating waterfowl are resting for the moment on the open water of this 40,000 acre wildlife preserve in Northern California, just south of Klamath Falls, Oregon. It is about seven o’clock on a fall evening, and the backlighting divides the image into six banded layers. The distant hills on the opposite shore fill the top of the image, ending abruptly at the darker band of greenery at their base. An open stretch of water leads to the strand of silhouetted geese. Below the geese, more water and the grassy shore in the foreground fill out the image. My 420mm telephoto lens compresses these bands within the frame, offering an ideal context for the late light that adds texture to the water’s surface.

Leica V-Lux 1
1/800s f/8.0 at 88.8mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis02-Oct-2008 21:52
Your comment sums up a point I often try to make about wildlife photography. The easiest and most common form of wildlife photography is an animal portrait. Most of those portraits simply describe the subject. I urge my students to replace the animal portrait with the "animal landscape." Our wildlife images should express how animals live, survive, relate, and function. That's what I've tried to do here. As you so eloquently note, Celia, I've tried to speak here of the very nature of geese -- how they flock together, and where they do so. They are part of nature -- as you put it, harmonious with nature.
Cecilia Lim02-Oct-2008 21:22
Sometimes we are so focused on the subject that we forget to step back and look at the big picture, which often creates wonderful image-making opportunities too. And this clearly worked for you here. Not only did you make a beautiful image here, but you tell us about the nature of geese, which tend to flock together. And every element in this image in terms of lines, shape and colour work very well together too echoeing each other, further expressing the idea of harmony in nature.
Phil Douglis27-Sep-2008 18:52
I can well remember how disappointed we both were after walking to this viewpoint from the car and finding that the birds were so far away. We were both thinking of our subject, the birds, at that moment. But it is good to also think of the context, and when I switched my thoughts to the entire scene before us, I saw the distant line of birds not as birds, but instead as a potential layer within a series of layers. A long telephoto lens compresses foreground, middleground and background layer, and so I used it to create this series of six banded layers, only one of which contains birds.
Tim May27-Sep-2008 18:01
Layers of nature - that is why we take these journeys to inhale the beauty. I know that we were both frustrated at how far away the animals were. Yet, you have made lemonade out of lemons here by dramatically placing them in their layered context.
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