There are some works (from more than 500 pieces!) on colours and glazings on white coated paper,
by superimposition. I tried to combine instantaneity of chinese painting (without "the will"
- by using the "laisser-faire") and the directed stratification of the Dutch painters,
by using tranparent pigments in glazing, in a coherent ordering. It is an original technique
I perfected with particular crystalline matters. But it is impossible to reproduce here (in the real size) as well
the 3D illusion with the deepth, the intensity and the glow of the originals...
Guest
06-Sep-2004 16:29
In original size these paintings are really interesting. Are they meant to be hung against a lightsource; in the window or in front of a lamp? What size are they? This is done on paper I understand; have you used sheets of plastic or glass?
Even though you say it does not capture well the 3D effect and luminence of the artwork, I still love these pictures and really admire how well you have captured the light from them.
