n front of the Seattle Art Museum, a towering, industrial piece of moving kinetic art slowly pounds his hammer up and down. Stretching 48 feet in the air and weighing in at 26,000 pounds, Hammering Man labors for 20 hours a day, using the tremendous might of his metallic left arm to amuse and entertain all visitors to the museum.
Designed by sculptor Jonathan Borofsky, Seattle’s Hammering Man sculpture was built to honor the working class men and women of the world. In the words of Borofsky, “he or she is the village craftsman, the South African coal miner, the computer operator, the farmer or the aerospace worker—the people who produce the commodities on which we depend.”
