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Patrick DEBETENCOURT | profile | all galleries >> A week in the wonderful city of Venice – Une semaine de rκve ΰ Venise >> A week in Venice – Visiting the Correr museum tree view | thumbnails | slideshow

A week in Venice – Pictures of our flight from Paris to Venice | A week in Venice – Discovering the Cannaregio district | A week in Venice – Discovering San Polo & Santa Croce districts | A week in Venice – Pictures taken on the Grand Canal | A week in Venice – Discovering the San Marco district | A week in Venice – Visiting the Correr museum | A week in Venice – Visiting the Doge's Palace on St Mark's Square | A week in Venice – Visiting the secret parts of the Doge's Palace | A week in Venice – Visiting San Marco basilica | A week in Venice – Discovering the San Giorgio Maggiore island | A week in Venice – Discovering the Castello district | A week in Venice – Discovering the Dorsoduro district | A week in Venice – Pictures of the Torcello island | A week in Venice – Pictures of the Burano island | A week in Venice – Pictures of the San Michele island | A week in Venice – Pictures of the Murano island | A week in Venice – discovering the museum of ther Mocenigo palace | A week in Venice – Pictures of our flights from Venice to Puglia

A week in Venice – Visiting the Correr museum

The Museo Correr is a museum located on St. Mark's Square, in Venice, it is one of the 11 civic museums run by the Fondazione Musei Civici di Venezia. The museum extends along the southside of the square on the upper floors of the Procuratorie Nuove. With its rich and varied collections, the Museo Correr covers both the art and history of Venice.

The Museo Correr originated with the collection bequeathed to the city of Venice in 1830 by Teodoro Correr. A member of a traditional Venetian family, Correr was a meticulous and passionate collector, dedicating most of his life to the collection of both works of art and documents or individual objects that reflected the history of Venice. Upon his death, all this material was donated to the city, together with the family's Grand Canal palace which then housed it. The nobleman also left the city funds to be used in conserving and extending the collections and in making them available to the public.

The period when he was gathering his collections was a very particular one, as the Republic of Venice had fallen in 1797 and for decades thereafter the city would be under foreign rulers and out of real necessity, many Venetian families were eager to sell off their valuable collections. Several collections ended up being bought by foreigners, but in the early decades of the 19th century there were still many pieces on the market. An insatiable collector, Correr, from his youth bought all sorts of objects and dedicated all his resources in putting together an incredible amount of material. Correr would reveal himself to have a sharp eye, putting together a collection that was undoubtedly very original. He was explicit about his intention that the collections should be made available to the public, and the museum was finally open in 1836.

Over the years, the contents of the museum would be catalogued and organized to provide scholars with a study facility and the general public with the opportunity to see the best from each individual collection. Subsequent bequests, donations and acquisitions would be added to the collection, ultimately leading to various pieces being housed on other venues.

Among the new pieces were the collections donated by several important Venetian families, such as the Molin, the Zoppetti, the Tironi, the Sagredo, and the Cicogna, and these included significant paintings, maiolica, glass pieces, and bronzes. In 1887, the enlarged collection was moved from Palazzo Correr to the nearby Fondaco dei Turchi, where it was laid out in a new display. However, in 1922, the Museo Correr was moved again to its present location in Piazza San Marco.

In the 1990s, the entire civic museums system was redesigned, all under a single municipal administration. In 1996, thanks to an agreement with the Italian Ministry of Culture, the St. Mark's Square Museums ticket was launched, granting entrance not only to the Museo Correr, but also the Doge's Palace, the Museo Archeologico Nazionale and the Monumental Rooms of the Biblioteca Marciana. Finally, in March 2008, the Museo Correr became part of the Fondazione Musei Civici di Venezia system.

The building that encloses the far end of the Piazza San Marco is known as the Napoleonic Wing. The design and early building works date from the period when Venice was part of the Kingdom of Italy (1806–1814), in which Napoleon was represented by the vice-regent Eugθne de Beauharnais. The two long wings that run the length of the Square are the Procuratie Vecchie and the Procuratie Nuove, which had housed the offices and residences of some of the main individuals of the Venetian Republic.

When the city came under Napoleonic rule, the French emperor and his court realized that public representation of imperial power posed certain logistical and political problems. Having rejected the Doge's Palace because of its complex past, these turned to the Procuratie Nuove, the former residence of the Procuratore di San Marco, along the southe
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