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ctfchallenge | all galleries >> Challenge 146 - Leading Lines >> Challenge 146 - Eligible > Walkway
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18-NOV-2007 Rod

Walkway

Brissie Oz

Canon EOS 350D ,Canon EF-S 18-55mm f/3.5-5.6
1/160s f/8.0 at 18.0mm iso100 hide exif
Full EXIF Info
Date/Time18-Nov-2007 12:39:00
MakeCanon
ModelCanon EOS 350D DIGITAL
Flash UsedNo
Focal Length18 mm
Exposure Time1/160 sec
Aperturef/8
ISO Equivalent100
Exposure Bias
White Balance
Metering Modematrix (5)
JPEG Quality
Exposure Programaperture priority (3)
Focus Distance

other sizes: small medium original auto
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Rod 20-Nov-2007 07:13
Thanks Tommy:-) It was just me feminine side liking the colour one:-)
ctfchallenge19-Nov-2007 19:57
I still prefer the bw, Rod. To me it shows a more deliberate purpose which is well done. The detail in the leaves is eliminated in bw, which gives it power lacking in the color version. -tv
Rod 19-Nov-2007 19:33
Thanks Tom & Abs:-)
ctfchallenge19-Nov-2007 15:10
this is cool. i like the high-contrast bw more 'coz of the spooky mood it creates. I like it. -Abstract
btw railing at the bottom right has a little more space (distance from the frame) than the left side.
Guest 19-Nov-2007 14:12
Rod, the colour one has more detail in the leaves/trees.
ctfchallenge19-Nov-2007 06:57
I'm a bit torn between the B&W one & the colour one of this picy, wot do you think:-)
Rod 19-Nov-2007 06:25
Thanks Tommy, JV & Tom:-) Tommy is trying to turn me into an artiiiiiiist so I will leave this one as me B&W ahrt picy as I've brought the blue picy back:-)
Guest 19-Nov-2007 03:03
I like the B&W, it accentuates the smooth (metal?) bridge. A bit dark in the tree, little detail, except the bridge. Draws me in, so it works.
J.V. 18-Nov-2007 22:18
don't let tv convert you to a black and white only guy. I loved the picture with the bothersome blues. This one is good too, but I think you should bring that one back.
ctfchallenge18-Nov-2007 17:38
Thank you for this outstanding bw with (thankfully) no bothersome blues. The beauty of black & white is its ability to distill a potentially maudlin muck of muddy hues down to a few critical elements: the bridge boldly penetrating the wall of black foliage up to a tableau of treestops against the clot of clouds. The large scale symmetry is broken by details in the leaves that tickle the eyes as the compete for attention. This has that rare quality of the best images: it grabs attention and holds on. -tv