Tate Britain, London - 3827 |
Tate Britain, London - 3831 |
Tate Britain, London - 3834 |
Tate Britain, London - 3835 |
Tate Britain, London - 3842 |
Tate Britain, London - 4863 |
Tate Britain, London - 4865 |
Tate Britain, London - 4866 |
Tate Britain, London - 4867 |
Tate Britain, London - 3844 |
Family Group, c. 1911 - Mabel Nicholson - 3845 |
Studland Beach, c. 1912 - Vanessa Bell - 3847 |
The Arrival, c. 1913 - Christopher Richard Wynne Nevinson - 3849 |
Nude, Fitzoy Street No. 1, 1916 - Matthew Smith - 3851 |
Merry-Go-Round, 1916 - Mark Gertler - 3853 |
Swan upping at Cookham, 1915-1919 - Stanley Spencer - 3857 |
Mrs Mounter at the breakfast table, 1917 - Harold Gilman - 3855 |
The Kiss, 1916 - Hamo Thornycroft - 3859 |
The Visitation, 1926 - Jacob Epstein - 3861 |
Brittany, 1914 - Edward Reginald Frampton - 3863 |
The Cinema, 1920 - William Roberts - 3865 |
The Deluge, 1920 - Winifred Knights - 3867 |
their Majesties' return from Ascot, 1925 - Alfred Munnings - 3869 |
Farm at Watendlath, 1921 - Dora Carrington - 3871 |
Flatford Mill, 1930 - Frances Hodgkins - 3873 |
The Soul of the Soulless City (New York - an Abstraction), 1920 - Christopher Richard Wynne Nevinson - 3875 |
Jacob Kramer, 1921 - Jacob Epstein - 3877 |
Jacob Kramer, 1921 - Jacob Epstein - 3879 |
Brighton Pierrots, 1915 - Walter Richard Sickert - 3880 |
The Mud Bath, 1914 - David Bomberg - 3882 |
Mosaic floor, 1923 - Boris Anrep - 3884 |
Mosaic floor, 1923 - Boris Anrep - Tate Britain, London - 3886 |
Mosaic floor, 1923 - Boris Anrep - 3889 |
Abstract Composition, 1915 - Jessica Dismor - 3890 |
Workshop, 1914 - Wyndham Lewis - 3892 |
Hampstead Garden Suburb from Willifield Way, 1914 - William Ratcliffe - 3894 |
Loveday and Ann: Two Women with a Basket of Flowers, 1915 - Frances Hodgkins - 3897 |
The Crowd, 1915 - Wyndham Lewis - 3899 |
the Resurection, Cookham, 1924-7 - Stanley Spencer - 3901 |
The Kiss, 1916 - Hamo Thornycroft - 3903 |
The Convalescent, 1918-9 - Gwen John - 3904 |
Inez and Taki, 1910 - Spencer Gore - 3906 |
The Cab Horse, 1910 - Robert Bevan - 3907 |
Nude Girl, 1909 - Gwen John - 3910 |
Dorelia in a Black Dress, 1903-4 - Gwen John - 3912 |
Tate Britain, London - 3914 |
The Lament for Icarus (detail), 1898 - Herbert Draper - 3921 |
Eve, 1908 - Solomon Joseph Solomon - 3925 |
A Favourite Custom, 1909 - Lawrence Alma-Tadema - 3927 |
La Hollandaise, 1906 - Walter Richard Sickert - 3929 |
Children at Chess, 1903 - Mary Sargant Florence - 3931 |
Woman Smiling, 1908-9 - Augustus John - 3933 |
Self-Portrait, 1902 - Gwen John - 3935 |
Seated Nude: the Black Hat, 1900 - Philip Wilson Steer - 3937 |
The Mirror, 1900 - William Orpen - 3939 |
Eve, 1900 - Thomas Brock - 3941 |
And the Sea Gave Up the Dead Which Were In It, 1892 - Frederic Leighton - 3944 |
Brown Eyes, 1891 - George Clausen - 3946 |
Mount's Bay and Tolcarne from Trewidden Farm Footpath with Alethea and her Mother, 1898 - Norman Garstin - 3948 |
Swanage, 1901 - Charles Conder - 3951 |
August Blue, 1893 - Henry Scott Tuke - 3952 |
August Blue (detail), 1893 - Henry Scott Tuke - 3954 |
Mrs Carl Meyer and her Children, 1896 - John Singer Sargent - 3955 |
the Temptation, 1899 - William Strang - 3957 |
Minnie Cunningham at the Old Bedford, 1892 - Walter Richard Sickert - 3959 |
Changing Pastures, 1893 - Edward Stott - 3961 |
A Capri Boy,1883 - Hamilton Macallum - 3964 |
Figures in a Storm, 1835-1845 - JMW Turner - 3966 |
Pierrot and Woman Embracing, 1901 - Walter Richard Sickert - 3968 |
Nature Blowing Bubbles for her Children, 1821 - William Hilton - 3971 |
Musidora: the Bather "At the Doubtful Breeze Alarmed"; replica, 1846 - William Etty - 3974 |
A Nymph at the Bath, or Musidora, 1780-8 - Thomas Gainsborough - 3976 |
Edward Richard Gardiner, 1760-8 - Thomas Gainsborough - 3979 |
Wooded Mountain Landscape with Figures, Church and River, 1785-8 - Thomas Gainsborough - 3981 |
Boy and Cat, 1791 - John Russell - 3987 |
The Fortune Teller, 1790 - John Russell - 3989 |
Baron Nagell's Running Footman, 1795 - Ozias Humphry - 3992 |
The Wife and Children of John Moore, Archbishop of Canterbury, 1780 - Daniel Gardner - 3994 |
The Tate Britain - 3997 |
The Tate Britain - 3999 |
The First Cloud, 1887 - William Quiller Orchardson - 4000 |
Ellen Terry as Lady Macbeth, 1889 - John Singer Sargent - 4003 |
Liverpool Quay by Moonlight, 1887 - Atkinson Grimshaw - 4006 |
Girls Running, Walberswick Pier, 1888-94 - Philip Wilson Steer - 4008 |
Portrait of Mrs Ernest Moon, 1888 - William Blake Richmond - 4010 |
The Emigrants, 1883–9 - William McTaggart - 4012 |
Tate Britain, London - 4014 |
The Reading Girl, 1886-7 - Théodore Roussel - 4016 |
Toil, Glitter, Grime and Wealth on a Flowing Tide,1883 - William Lionel Wyllie - 4021 |
The Girl at the Gate, 1889 - George Clausen - 4023 |
An Athlet Wrestling with a Python, 1877 - Fredreic Leighton - 4028 |
A Nude Boy on a Beach, 1878 - John Singer Sargent - 4029 |
Vernon Lee, 1881 - John Singer Sargent - 4031 |
The Golden Stairs, 1880 - Edward Coley Burne-Jones - 4033 |
The Tate Britain - 4034 |
Girl in a Meadow, 1880 - William Stot of Oldham - 4036 |
Paul and Apollos, 1872 - Edward Poynter - 4038 |
The Lady of Shalott, 1888 - John William Waterhouse - 4042 |
Hearts are Trumps, 1872 - John Everett Millais - 4044 |
Holiday, 1876 - James Tissot - 4047 |
Holiday (detail), 1876 - James Tissot - 4048 |
Old Battersea Bridge, 1874 - Walter Greaves - 4050 |
An Athlet Wrestling with a Python, 1877 - Fredreic Leighton - 4056 |
The Sluggard, 1885 - Frederic Leighton - 4061 |
Turf Cutters, 1869 - Thomas Wade - 4065 |
Flowing to the River, 1871 - John Everett Millais - 4068 |
Study for the "Courtyard of the Coptic Patriarch's House in Cairo" (detail), 1864 - John Frederick Lewis - 4072 |
Portrait of Sidney Wells, 1859 - Joanna Mary Wells - 4076 |
The Fairy Feller Master-Stroke, 1855-64 - Richard Dadd - 4077 |
The Fairy Feller Master-Stroke (detail), 1855-64 - Richard Dadd - 4079 |
Lady with a Dove: Madame Loeser (detail), 1864 - John Brett - 4083 |
Woman's Mission: Companion of Manhood, 1863 - George Elgar Hicks - 4085 |
A Venus, 1869 - Albert Moore - 4088 |
Gretchen, 1861 - Joanna Mary Wells - 4090 |
The Boyhood of Raleigh, 1870 - John Everett Millais - 4092 |
The Doubt: Can these Dry Bones Live? 1855 - Henry Alexander Bowler - 4098 |
Omnibus Life in London, 1859 - William Maw Egley - 4101 |
Our English Coasts (Strayed Sheep), 1853 - William Holman Hunt - 4104 |
A Garden, 1869 - Albert Moore - 4107 |
Too Late, 1858 - William Lindsay Windus - 4108 |
Reapers, Noonday Rest, 1865 - John Linnell - 4109 |
The Derby Day, 1856-58 - William Powell Frith - 4110 |
Nameless and Friendless. “The rich man’s wealth is his strong city, etc.” - Proverbs, x, 15, 1857 - Emily Mary Osborn - 4114 |
The South Sea Bubble, a Scene in ‘Change Alley in 1720' (1847) - Edward Matthew Ward - 4118 |
The Girlhood of Mary Virgin, 1848–9 - Dante Gabriel Rossetti - 4119 |
A Windy Day, 1850 - David Cox - 4121 |
The Ford ('Crossing the Ford'), 1842 - William Mulready - 4123 |
His Highness Muhemed Ali, Pacha of Egypt, 1841 - Sir David Wilkie - 4125 |
Shoeing, 1844 - Sir Edwin Henry Landseer - 4128 |
The Plains of Heaven, 1851–3 - John Martin - 4130 |
Going to the Ball (San Martino), 1846 - JMW Turner - 4131 |
The Last Judgement, 1853 - John Martin - 4133 |
The Last Judgement (detail), 1853 - John Martin - 4135 |
The Last Judgement (detail), 1853 - John Martin - 4136 |
The Last Judgement (detail), 1853 - John Martin - 4137 |
St John Leading Home his Adopted Mother, 1844-60 - William Dyce - 4142 |
The Great Day of his Wrath, 1851-3 - John Martin - 4146 |
Madonna and Child, 1827–30 - William Dyce - 4149 |
French Coast with Fishermen, 1825 - Richard Parkes Bonington - 4151 |
French Coast with Fishermen (detail), 1825 - Richard Parkes Bonington - 4155 |
The Colosseum from the Esquiline, 1822 - Sir Charles Lock Eastlake - 4147 |
Caligula's Palace and Bridge, 1831 - Joseph Mallord William Turner - 4156 |
Punch or May Day 1829 - Benjamin Robert Haydon - 4159 |
Punch or May Day (detail) 1829 - Benjamin Robert Haydon - 4162 |
The ‘Tally-Ho’ London - Birmingham Stage Coach Passing Whittington College, Highgate 1836 - James Pollard - 4165 |
Late at School, 1834 - Thomas Webster - 4169 |
The First Interview between the Spaniards and the Peruvians, 1827 - Henry Perronet Briggs - 4170 |
Amateurs of Tye-Wig Music ('Musicians of the Old School'), 1820 - Edward Francis Burney - 4172 |
A Scene at Abbotsford, 1827 - Sir Edwin Henry Landseer - 4175 |
The Rat-Catcher and his Dogs, 1824 - Thomas Woodward - 4176 |
The Village Holiday, 1809–11 - Sir David Wilkie - 4179 |
The Village Holiday (detail), 1809–11 - Sir David Wilkie - 4183 |
Milking Time - Study of a Farm-Yard near Canterbury, 1833–4 - Thomas Sidney Cooper - 4188 |
The Porch of St Maclou, Rouen, 1829 - David Roberts - 4190 |
Standing Female Nude, 1835-40 - William Etty - 4194 |
Coming from Evening Church, 1830 - Samuel Palmer - 4195 |
The Gleaning Field, 1833 - Samuel Palmer - 4197 |
Flatford Mill (Scene on a Navigable River), 1816-17 - John Constable - 4201 |
The Raising of Jairus' Daughter, 1820 - Henry Thomson - 4210 |
The Field of Waterloo, 1818 - Joseph Mallord William Turner - 4216 |
Kensington Gravel Pits, 1811–2 - John Linnell - 4220 |
Stoke-by-Nayland, 1810–11 - John Constable - 4222 |
Mrs Siddons, 1804 - Sir Thomas Lawrence - 4227 |
Homer Reciting his Poems, 1790 - Sir Thomas Lawrence - 4229 |
The Blind Fiddler, 1806 - Sir David Wilkie - 4233 |
The Blind Fiddler (detail), 1806 - Sir David Wilkie - 4234 |
Roadside Inn, 1790 - George Morland - 4237 |
Naomi and her Daughters, 1804 - George Dawe - 4243 |
King Lear Weeping over the Dead Body of Cordelia, 1786–8 - James Barry - 4246 |
Haymakers, 1785 - George Stubbs - 4247 |
Reapers, 1785 - George Stubbs - 4250 |
Reapers (detail), 1785 - George Stubbs - 4253 |
Giovanna Baccelli, 1782 - Thomas Gainsborough - 4257 |
Sir Henry Bate-Dudley, Bart., 1780 - Thomas Gainsborough - 4261 |
Lady Talbot, 1782 - Sir Joshua Reynolds - 4264 |
Colonel Mordaunt's Cock Match, 1784–6 - Johan Zoffany - 4266 |
Colonel Mordaunt's Cock Match (detail) , 1784–6 - Johan Zoffany - 4268 |
Colonel Mordaunt's Cock Match (detail) , 1784–6 - Johan Zoffany - 4270 |
Colonel Mordaunt's Cock Match (detail) , 1784–6 - Johan Zoffany - 4275 |
Colonel Blair with his Family and an Indian Ayah, 1786 - Johan Zoffany - 4278 |
Emma Hart as Circe, 1782 - George Romney - 4280 |
Mrs Robert Trotter of Bush, 1788–9 - George Romney - 4282 |
A Child's Portrait in Different Views: 'Angel's Heads', 1786–7 - Sir Joshua Reynolds - 4287 |
The Death of Major Peirson, 6 January 1781, 1783- John Singleton Copley - 4289 |
Three Children of Richard Arkwright with a Goat, 1791 - Joseph Wright of Derby - 4291 |
Portrait of Sir Francis Ford’s Children Giving a Coin to a Beggar Boy, 1793 - Sir William Beechey - 4296 |
Lieut-Colonel Bryce McMurdo, 1800–10 - Sir Henry Raeburn - 4298 |
Horse Frightened by a Lion, 1763 - George Stubbs - 4300 |
Mares and Foals in a River Landscape, 1763-8 - George Stubbs - 4302 |
Three Ladies Adorning a Term of Hymen, 1773 - Joshua Reynolds - 4307 |
Pylades and Orestes Brought as Victims before Iphigenia, 1766 - Benjamin West - 4308 |
An Iron Forge, 1772 - Joseph Wright of Derby - 4310 |
Colonel Acland and Lord Sydney: the Archers, 1769 - Joshua Reynolds - 4313 |
The Meeting of Dido and Aeneas, 1766 - Nathaniel Dance-Holland - 4316 |
Master Crewe as Henry VIII, 1775 - Joshua Reynolds - 4320 |
Mrs Yates and Mandane in 'The Orphan of China', 1765 - Tilly Kettle - 4322 |
Mrs Johnstone and her Son, 1775-80 - George Romney - 4324 |
Dancing Scene in the West Indies, 1764-96 - Agostino Brunias - 4328 |
A British Man of War Firing a Salute, 1750-9 - Charles Brooking - 4331 |
Heads of Six of Hogarth's Servants, 1750-5 - William Hogarth - 4339 |
O the Roast Beef of Old England ('The Gate of Calais'), 1748 - William Hogarth - 4341 |
The Painter and his Pug, 1745 - William Hogarth - 4345 |
Wooded Landscape with a Peasant Resting, 1747 - Thomas Gainsborough - 4346 |
Portrait of the Artist’s Son, Jonathan Richardson the Younger, in his Study, 1734 - Jonathan Richardson - 4349 |
Mr Oldham and his Guests, 1735–45 - Joseph Highmore - 4351 |
Samuel Richardson, Seated, Surrounded by his Second Family, 1740–1 - Francis Hayman - 4354 |
Covent Garden Market, 1737 - Balthazar Nebot - 4357 |
Covent Garden Market (detail), 1737 - Balthazar Nebot - 4359 |
Covent Garden Market (detail), 1737 - Balthazar Nebot - 4360 |
A Scene from 'The Beggar's Opera' VI, 1731 - William Hogarth - 4361 |
The Du Cane and Boehm Family Group, 1734–5 - Gawen Hamilton - 4363 |
Sunset: Carthorses Drinking at a Stream, 1760 - Thomas Gainsborough - 4334 |
Thomas, 2nd Baron Mansel of Margam with his Blackwood Half-Brothers and Sister, 1742 - Allan Ramsay - 4367 |
Three Sons of John, 3rd Earl of Bute, c.1763–4 - Johan Zoffany - 4368 |
Mrs Sarah Ingram, 1750-5, Thomas Hudson - 4370 |
An Arch of Westminster Bridge, 1750 - Samuel Scott - 4372 |
James Grant, John Mytton, Thomas Robinson, Thomas Wynn in front of the Colosseum in Rome, 1760 - Nathaniel Dance-Holland - 4375 |
London: The Old Horse Guards from St James' Park, 1749 - Canaletto - 4377 |
London: The Old Horse Guards from St James' Park (detail), 1749 - Canaletto - 4379 |
Ships in Distress in a Storm, c.1720–30 - Peter Monamy - 4383 |
The Schutz Family and their Friends on a Terrace, 1725 - Philip Mercier - 4386 |
A Musical Assembly, 1720 - Marcellus Laroon the Younger - 4388 |
Foxhunting in Wooded Country, c.1720–30 - Peter Tillemans - 4390 |
Portrait of a Gentleman, 1700 - John Closterman - 4392 |
Susanna and the Elders, 1650–5 - Sir Peter Lely - 4395 |
Two Ladies of the Lake Family, 1660 - Sir Peter Lely - 4398 |
Monkeys and Dogs Playing, 1661 - Francis Barlow - 4402 |
Elizabeth, Countess of Kildare, 1679 - Sir Peter Lely - 4404 |
Portrait of a Young Girl, 1681 - Mary Beale - 4406 |
Sketches of the Artist's Son, Bartholomew Beale, 1660 - Mary Beale - 4408 |
Landscape with Rainbow, Henley-on-Thames, 1690 - Jan Siberechts - 4412 |
Elijah and the Angel, 1672 - Sir Godfrey Kneller - 4416 |
View of a House and its Estate in Belsize, Middlesex, 1696 - Jan Siberechts - 4417 |
Still Life with a Volume of Wither's 'Emblemes', 1696 - Edward Collier- 4420 |
A Peacock and Other Birds in a Landscape, 1700 - Marmaduke Cradock - 4424 |
Sir Neil O'Neill, 1680 - John Michael Wright - 4428 |
Elizabeth Panton, Later Lady Arundell of Wardour, as Saint Catherine, 1689 - Benedetto Gennari - 4429 |
Portrait of Mrs Haire, 1701 - Michael Dahl - 4432 |
John Smith, Speaker of the House of Commons, 1707-8 - Godfrey Kneller - 4435 |
Portrait of Sir William Killigrew, 1638 - Sir Anthony Van Dyck - 4438 |
Portrait of Mary Hill, Lady Killigrew 1638 - Sir Anthony Van Dyck - 4441 |
The Leake Panels, early 16th century - Anonymous - 4443 |
A Man in a Black Cap, 1545 - John Bettes - 4446 |
Portrait of a Gentleman, probably of the West Family, 1545–60 - ?British School - 4449 |
A Young Lady Aged 21, Possibly Helena Snakenborg, Later Marchioness of Northampton, 1569 - British School 16th century - 4451 |
Portrait of Elizabeth Roydon, Lady Golding, 1563 - Hans Eworth - 4453 |
Lady Kytson, 1573 - George Gower - 4455 |
Sir Thomas Kytson 1573 - George Gower - 4456 |
Portrait of an Unknown Lady, 1565–8 - Hans Eworth - 4458 |
Portrait of Elizabeth I, 1563 - attributed to Steven van der Meulen or Steven Van Herwijck - 4461 |
Sir Henry Lee, 1600 - Marcus Gheeraerts II - 4465 |
Sir Henry Lee (detail), 1600 - Marcus Gheeraerts II - 4470 |
Portrait of Captain Thomas Lee 1594 - Marcus Gheeraerts II - 4466 |
The Cholmondeley Ladies, 1600–10 - British School 17th century - 4473 |
The Cholmondeley Ladies (detail), 1600–10 - British School 17th century - 4475 |
Lady Anne Pope 1615 - Robert Peake - 4476 |
Lady Elizabeth Grey, Countess of Kent c.1619 - Paul Van Somer - 4478 |
Cookmaid with Still Life of Vegetables and Fruits, 1620–5 - Sir Nathaniel Bacon - 4481 |
Cookmaid with Still Life of Vegetables and Fruits, 1620–5 - Sir Nathaniel Bacon - 4483 |
Portrait of a Woman in Red 1620 - Marcus Gheeraerts II - 4486 |
Portrait of an Unknown Gentleman/Lady - 1629 - Cornelius Johnson - 4487 |
Portraits of the 2nd Earl of Wigtown and the 2nd Countess of Wigtown, 1625 - Adam de Colone - 4492 |
Portrait of Lady Margaret Livingstone, 2nd Countess of Wigtown (detail), 1625 - Adam de Colone - 4497 |
Portrait of William Style of Langley, 1636 - British School 17th century - 4501 |
Endymion Porter, 1642–5 - William Dobson - 4502 |
Drawing for Free Thinking - David Tremlett - 4508 |
Dock - Phyllida Barlow - 4519 |
Dock - Phyllida Barlow - 4522 |
Church at Tréboul, 1930 - Christopher Wood - 4524 |
The Potteries, 1938 - Julian Trevelyan - 4525 |
The Snack Bar, 1930 - Edward Burra - 4527 |
Scylla, 1938 - Ithell Colquhoun - 4529 |
Fulcrum,1939 - John Tunnard - 4531 |
Surgical Ward, 1939 - Sam Haile - 4532 |
Dux et Comes,1932 - Edward Wadsworth - 4534 |
1935 (white relief) - Ben Nicholson - 4537 |
Trial & Error, 1939 - Meredith Frampton - 4540 |
Portrait of Margaret, Duchess of Argyll, 1931 - Gerald Brockhurst - 4542 |
Sandpipers, Alnmouth, 1933 - Winifred Nicholson - 4544 |
1932 (painting) - Ben Nicholson OM - 4546 |
Standing Nude, 1937 - Sir William Coldstream - 4548 |
Autumn Composition, Flowers on a Table,1932 - Ivon Hitchens - 4550 |
Johanaan, 1936 - Ronald Moody - 4553 |
Two Females, 1937–8 - Ceri Richards - 4555 |
Cretan Portrait, 1948-52 - John Craxton - 4557 |
Girl with a Kitten, 1947 - Lucian Freud - 4559 |
The Hanging Gardens of Hammersmith, No. 1, 1944–7 - Victor Pasmore - 4561 |
Flight of the Magnolia,1944 - Paul Nash - 4564 |
Bombed Women and Searchlights, 1940 - Clive Branson - 4565 |
Green Tree Form: Interior of Woods 1940 - Graham Sutherland OM - 4568 |
Composition, 1949 - William Gear - 4571 |
The Mutilated, 1942–3 - Jankel Adler - 4573 |
Three Studies for Figures at the Base of a Crucifixion, 1944 - Francis Bacon - 4578 |
Havildar Ajmer Singh 1943 - Sir William Coldstream - 4579 |
Bomb Store, 1942 - David Bomberg - 4581 |
Bomb Store, 1942 - David Bomberg - 4583 |
Night Raid on Portsmouth Docks 1941 - Richard Eurich - 4585 |
Norham Castle, Sunrise,1845 - Joseph Mallord William Turner - 4590 |
Norham Castle, Sunrise (detail), 1845 - Joseph Mallord William Turner - 4592 |
Holy Family, 1803 - Joseph Mallord William Turner - 4595 |
Snow Storm: Hannibal and his Army Crossing the Alps exhibited 1812 - Joseph Mallord William Turner - 4597 |
The Bay of Baiae, with Apollo and the Sibyl, 1823 - Joseph Mallord William Turner - 4599 |
Palestrina - Composition, 1828 - Joseph Mallord William Turner - 4603 |
The Decline of the Carthaginian Empire ... , 1817 - Joseph Mallord William Turner - 4605 |
The Parting of Hero and Leander, 1837 - Joseph Mallord William Turner - 4606 |
Aeneas and the Sibyl, Lake Avernus, 1798 - Joseph Mallord William Turner - 4608 |
The Opening of the Walhalla, 1842 - Joseph Mallord William Turner - 4611 |
Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833 - Joseph Mallord William Turner - 4613 |
View of Orvieto, Painted in Rome, 1828 - Joseph Mallord William Turner - 4617 |
Entrance of the Meuse: Orange-Merchant on the Bar, Going to Pieces, 1819 - Joseph Mallord William Turner - 4623 |
Claudian Harbour Scene: Study for ‘Dido Directing the Equipment of the Fleet’, 1827 - Joseph Mallord William Turner - 4624 |
Death on a Pale Horse, 1835-35 - Joseph Mallord William Turner - 4626 |
Rough Sea, 1840-5 - Joseph Mallord William Turner - 4628 |
Frosty Morning, 1813 - Joseph Mallord William Turner - 4630 |
Crossing the Brook, 1815 - Joseph Mallord William Turner - 4633 |
Ploughing Up Turnips, near Slough (‘Windsor’), 1809 - Joseph Mallord William Turner - 4635 |
George IV at St Giles’s, Edinburgh, 1822 - Joseph Mallord William Turner - 4637 |
George IV at the Provost’s Banquet in the Parliament House, Edinburgh, 1822 - Joseph Mallord William Turner - 4639 |
St Mawes at the Pilchard Season, 1812 - Joseph Mallord William Turner - 4640 |
Waves Breaking on a Shore, 1835 - Joseph Mallord William Turner - 4643 |
Petworth Park: Tillington Church in the Distance, 1828 - Joseph Mallord William Turner - 4645 |
Sunset, 1830 - Joseph Mallord William Turner - 4648 |
Study of Sea and Sky, Isle of Wight, 1827 - Joseph Mallord William Turner - 4650 |
The Angel Standing in the Sun, 1846 - Joseph Mallord William Turner - 4652 |
Undine Giving the Ring to Massaniello, Fisherman of Naples, 1846 - Joseph Mallord William Turner - 4654 |
Pilate Washing his Hands, 1830 - Joseph Mallord William Turner - 4656 |
Vision of Medea, 1828 - Joseph Mallord William Turner - 4660 |
Reclining Venus, 1828 - Joseph Mallord William Turner - 4663 |
The Deluge, 1805 - Joseph Mallord William Turner - 4665 |
Apollo and Python, 1811 - Joseph Mallord William Turner - 4667 |
Forum Romanum, for Mr Soane's Museum, 1826 - Joseph Mallord William Turner - 4670 |
The Dogana, San Giorgio, Citella, from the steps of the Europa, 1842 - Joseph Mallord William Turner - 4672 |
The Sun of Venice Going to Sea, 1843 - Joseph Mallord William Turner - 4674 |
The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides, 1806 - JMW Turner - 4676 |
Fishing upon the Blythe-Sand, Tide Setting In, 1809 - Joseph Mallord William Turner - 4678 |
The Battle of Trafalgar, as Seen from the Misen Starboard Shrouds of the Victory, 1806-8 - JMW Turner - 4681 |
London from Greenwich Park, 1809 - Joseph Mallord William Turner - 4685 |
The Visit to the Tomb, 1850 - Joseph Mallord William Turner - 4688 |
Ancient Rome; Agrippina Landing with the Ashes of Germanicus, 1839 - Joseph Mallord William Turner - 4690 |
Ancient Rome; Agrippina Landing with the Ashes of Germanicus (detail), 1839 - Joseph Mallord William Turner - 4692 |
A Fire at the Tower of London, 1841 - Joseph Mallord William Turner - 4695 |
Dedham from Langham, 1813 - John Constable - 4699 |
The Church Porch, East Bergholt, 1810 - John Constable - 4701 |
Branch Hill Pond, Hampstead Heath, with a Cart and Carters, 1825 - John Constable - 4703 |
The Opening of Waterloo Bridge (‘Whitehall Stairs, June 18th, 1817’), 1832 - John Constable - 4705 |
The Opening of Waterloo Bridge (‘Whitehall Stairs, June 18th, 1817’), detail, 1832 - John Constable - 4708 |
Hampstead Heath with a Rainbow, 1836 - John Constable - 4709 |
The Lock, 1825 - John Constable - 4711 |
The Glebe Farm, 1830 - John Constable - 4714 |
The Valley Farm, 1835 - John Constable - 4716 |
Fen Lane, East Bergholt, 1817 - John Constable - 4721 |
Orange, Black and White Composition, 1953 - William Scott - 4723 |
Coal Delivery, 1955 - Fred Williams - 4725 |
Man Hosing Metal Fish Boxes, 1921 - Prunella Clough - 4727 |
Crowd, Earls Court, 1954 - Edward Middleditch - 4729 |
Home from Home, 1959 - Robyn Denny - 4731 |
Erasmus Variation, 1958 - RB Kitaj - 4733 |
Untitled (Essex Wilderness), 1959 - William Crozier - 4735 |
Study for Doll Boy, 1960 - David Hockney - 4738 |
On the Balcony, 1955 - Peter Blake - 4741 |
Working Model for UNESCO Reclining Figure, 1957 - Henry Moore - 4747 |
August 1956 (Val d'Orcia) 1956 - Ben Nicholson OM - 4749 |
Azalea Garden: May 1956 - Patrick Heron - 4751 |
Death and the Conquistador, 1959 - Aubrey Williams - 4753 |
Study for a Portrait, 1952 - Francis Bacon - 4755 |
Glacier Crystal, Grindelwald 1950 - Wilhelmina Barns-Graham - 4757 |
Three Miners, 1953 - Josef Herman - 4760 |
The Pond, 1950 - L.S. Lowry - 4763 |
Lady Wantage, 1911 - Philip de Laszlo - 4765 |
Diana of the Uplands, 1903 - Charles Wellington Furse - 4768 |
Fantaisie en Folie, 1897 - Robert Brough - 4770 |
Mrs Asher Wertheimer, 1907 - James Havard Thomas - 4772 |
The Ear-Ring, 1911 - Ambrose McEvoy - 4774 |
Ethel, 1897 - Ralph Peacock - 4776 |
The Lady with the Amethyst, 1915 - Charles Shannon - 4778 |
The Sisters, 1900 - Ralph Peacock - 4780 |
Atom Piece (Working Model for Nuclear Energy), 1965 - Henry Moore OM, CH - 4782 |
Working Model for Three Piece No.3: Vertebrae, 1968 - Henry Moore OM, CH - 4783 |
Reclining Figure 1951 - Henry Moore OM, CH - 4786 |
Maquette for Figure on Steps 1956 - Henry Moore OM, CH - 4788 |
4789 |
Anabasis, 1964 - William Tucker - 4793 |
Self-Portrait with Badges, 1961 - Peter Blake - 4798 |
Mirror, 1966 - Frank Bowling - 4800 |
Black Abstract, 1963 - Victor Pasmore - 4802 |
Hesitate, 1964 - Bridget Riley - 4804 |
A Bigger Splash, 1967 - David Hockney - 4808 |
28. 5. 66 - John Hoyland - 4811 |
Mr and Mrs Clark and Percy 1970–1 - David Hockney - 4812 |
Untitled, 1978 - John Stezaker - 4814 |
Melanie and Me Swimming, 1978 - Michael Andrews - 4816 |
Stack, 1975 - Tony Cragg - 4820 |
Elephant, 1984 - Bill Woodrow - 4821 |
Where There's Muck 1985 - Mark Wallinger - 4823 |
Clean Sheets, 1979–84 - Howard Hodgkin - 4824 |
Break Point, 1998 - Fiona Banner - 4840 |
Situationist Apartment May '68 , 2001 - Dexter Dalwood - 4842 |
The Body and Ground (Or Your Lovely Smile), 2010 - Brian Griffiths - 4843 |
Blue Devils, 2014 - Chris Ofili - 4847 |
The Difference Between II, 2005 - Basil Beattie - 4853 |
Untitled ( Yellow Racks), 2006 - Phyllida Barlow - 4855 |
A Boy at Play, 1895 - William Goscombe John - 4858 |
W. Graham Robertson, 1894 - John Singer Sargent - 4860 |