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It's not a fantastic story, and by all accounts it's not an excellent film. "The Ghost of Peter Sellers" isn't a tragic movie about a movie that might have been a masterpiece; it's an autopsy of a production gone badly wrong from the beginning. The budget was low, the script wasn't prepared and Sellers then the biggest funny star worldwide was in a challenging, depressive state after breaking up with his girlfriend Liza Minnelli, doing everything in his power to postpone and even cancel the production.

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Fu Manchu." It's not rather character assassination: Sellers was understood for being a managing existence on his sets, and the directors are to this day in wonder of his talent. Sellers was doing what he believed was essential to make an excellent film. He simply didn't seem to give a damn about what any person else thought.

Interviews with relative and assistants paint the picture of a guy who lost himself within characters and probably experienced an undiagnosed psychological disease. There's an argument to be made that the show business made the most of an unstable person like Sellers, whose personality type, for much better and even worse, made him a significant box-office draw.

It's here to make Medak feel much better about himself. Medak explains a childhood that filled him with a lifelong regret complex, and in reliving his biggest creative failure, he appears a little desperate to let himself off the hook - the ghost of peter sellers. The discovery of behind-the-scenes letters from his manufacturers, accusing him of incompetence and conspiring to undermine his authority on set, appears to provide Medak a sense of relief.

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And sure enough, the production of "Ghost" was by all rights an overall, miserable nightmare. The pricey pirate ship they developed sank on the first day, before recording started. The manufacturers were fired after the first week. Disrespected regional extras took outfits, which had actually to be acquired back from them at regional fetes.

"I imply, I want to kill people," Medak states, in understandable frustration. "But they're all dead." "The Ghost of Peter Sellers" seems to have been cathartic for Medak, who states that making fiction gives him manage over the anxieties that afflict him. So making this documentary, and totally reframing the story of his failure probably assisted him carry on from all these dissatisfied memories.

It's an entertaining collection of tragicomic anecdotes, however the cumulative contemporary disinterest in "Ghost in the Noonday Sun" robs those tales of much needed significance. The documentary doesn't illuminate much about Sellers, and definitely doesn't go far enough in describing his genius, his frailties, or perhaps the genuine, human reason he was so insufferable personally.

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It doesn't even look like the failure of "Ghost" had a big effect on Medak's career, since he went on to direct dozens of productions, movies and tv alike, some of which went on to fantastic praise. "The Ghost of Peter Sellers" is a movie that appears to have been made by Medak, for Medak - where to watch the ghost of peter sellers.

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