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How to write a good story

Character and plot development

Spend a brainstorm to find interesting character or plot. The spark of the story can come from a character you think will be interesting, or from a plot concept. Write down your thoughts or make a mental map to make it easier for you to generate ideas. Then choose one option to turn it into history. Here are some ideas to inspire you:

your life experience; the story you heard; family history; scenario in the "what if ..." style; news story; dream; an interesting person you saw; photo; art.

Develop characters by making their sheets (profiles). The characters are the most important element of the story. The reader must empathize with the heroes, and the heroes must move the story forward. For example when you write my essay where there will be information: character sheet, write down their name, personal details, description, character traits, habits, desires, and most interesting quirks. Provide as much detail as possible.

First, make a sheet of the main character. Then create profiles for other main characters, such as the antagonist. Characters are considered central if they play a significant role in the story, such as influencing the protagonist or the course of the plot.

Find out what your characters want or what their motivation is. Then the basis of the plot will revolve around the fact that the hero either achieved what he wanted or not.

You can create your own character sheets or find templates on the internet.

Choose a location. The location indicates when and where the story takes place. It should influence the story in some way, so choose a setting that complements the plot. Think about how it affects the characters and their relationships.

Create a plot outline . Making a plan will help you figure out what to write next. It also helps you fill in plot gaps before you even start. Use your brainstorming results and character sheets to plan your story. Here are some ways:

Create a plot scheme of exposure, setting, development of action, climax, folding of action and denouement.

Make a traditional outline with the main points as separate scenes.

Write a summary of each story and turn it into a bulleted list.

Decide whether the story will be written from the first or from the third. This can completely change the way you think about history, so choose wisely. For a complete immersion in the story, choose a first-person story. On the other hand, third-person storytelling is fine if you want to focus on one character, but distance yourself a bit from the story to add your own interpretation of events. You can also tell the story in a third person, which is the omniscient narrator, to give you the opportunity to tell about everything that happens.

First-person narration . One character tells the story from his side. Since the story is true in the eyes of this character, his description of events may be inaccurate.

Third-person storytelling . The narrator conveys the events of the story, but is limited to looking at one character. When using this type of storytelling, you cannot convey the thoughts or feelings of other characters, but you can add your own interpretation of the setting or events.

Narration from an omniscient third person . The all-seeing storyteller narrates everything that happens in the story, including the thoughts and actions of each character.

Writing a draft

First, outline the scene and introduce the characters. Dedicate the first two or three paragraphs to immerse the reader in the environment. Place the character in the environment first. Then give a basic description of the place and include details to show the era. Provide the reader with enough information to draw a picture in his head.

In the first few paragraphs, identify the problem. The problem will serve as an impetus when you do my essay for the development of an action that will launch the plot and keep the reader's attention. Think about what your character wants and why he can't get it. Then come up with a scene that presents this problem.

Fill in the middle of the story with a string. Draw a character working on a problem. To make the story more interesting, add two or three challenges that the hero will face on the way to the climax of the story. This will build up an anxious expectation in the reader until you uncover what's going on.

Provide a climax that resolves the problem. The climax is the high point of the story. Come up with an event that will make the character fight for what he wants. Then show if he won or lost.

Use action folding to bring the reader closer to the conclusion. Minimizing actions should be brief because the reader will not have as much motivation to read on as they did before the climax. Use the last few paragraphs to wrap up your story and summarize what happened after the problem was resolved.

Write an ending that will make the reader think a little. Don't aim for perfect completion in the first draft. Instead, focus on presenting the topic and suggesting what the character's next actions might be. This will get the reader thinking about the story.


Start the story as close to the end as possible. The reader does not need to read about every event that leads to a character problem. He just wants to see a snapshot of the hero's life. Choose an action development that quickly engages the reader in the story. This will help you make sure the story doesn't go too slow.

Include dialogues that reveal any information about the characters. Dialogue dilutes the text, which helps the reader move down the page. In addition, dialogue allows you to express the thoughts of the hero in his words without the need to include many internal dialogues. Use dialogue throughout the story to convey the character's thoughts. Make sure, however, that each piece of dialogue moves the story forward.

Build up tension by making bad things happen to your characters. It is difficult to do dirty tricks on your heroes, but without this the story will be boring. Place obstacles or difficulties in front of the heroes that separate them from what they want. Thus, they will have the motivation to decide something in order to achieve their goal.

Engage your five senses, including tangible details. Use sight, hearing, touch, and taste to engage the reader in the story. Make the environment more dynamic by showing the reader what sounds they will hear, what smells they will notice, and what sensations they will feel. This will make the story more engaging.

Use emotion to empathize with the story. Try to make your readers feel the way the characters feel. To do this, combine the actions of the hero with something universal. Emotions will draw the reader into the story.

Revision and final edits

Postpone your work for at least one day before revising it. It is difficult to make edits to the story right away, because you are unlikely to be able to spot mistakes and holes in the plot. Leave the story alone for a day or longer for a fresh perspective.

It will be helpful to print out the story so you can see it from a different perspective. Try this as you re-read the story.

A good solution is to put your work aside for a while. However, don't wait too long to avoid losing interest.

Read the story out loud to hear the places that need work. When you read a story aloud, you perceive it differently. This will help you identify awkward passages or sentences that sound jerky. Read the story and note where edits need to be made.

You can also read the story to other people and ask their advice.

Get testimonials from other writers or site such as or people who read frequently. When you're ready, show your work to a familiar writer, teacher, classmate, or friend. If possible, take it to a literary critic or read it out at a writers seminar. Ask readers to provide honest reviews to improve the story.

Reviews of those closest to you, such as your parents or your best friend, are not always objective - they may be too concerned about your feelings.

For a review to be useful, you must be receptive. If you think you have written the most perfect story in the world, then you will not listen to a single word.

Make sure you are giving your work to the right readers. If you're writing science fiction but asking for the opinion of a writer friend with a passion for classical literature, chances are you won't get the perfect review.

Remove anything that doesn't reveal character details or advance the story. This means that you may need to shorten passages that you think are well written. However, the reader will only be interested in the details that are important to the story. When editing your work, make sure each saved sentence reveals something about the character or moves the story forward. Remove suggestions that do not match this.

Carry a notebook with you wherever you go to jot down ideas as soon as they come to your mind.

Don't start making edits right away, or you'll be less likely to see errors or gaps in the plot. Wait a few days to get a fresh perspective on history.

Write drafts before you finalize. This will help a lot when editing.

Dialogue and detail are key to writing a great story. Put the reader in the place of the character.

More Information:


Writing a Nonfiction Book For Fun and Profit (Part 1)

Writing a Nonfiction Book For Fun and Profit (Part 2)


The Top Ten Rules for Writers

The Three Criteria of Conflict

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